Poe's children: the new horror : an anthology - By Peter Straub Page 0,20

her. “Fucking bloody cunt!”

People glanced at her, but Jane kept her head down, making a quick turn into the vast cobbled courtyard of Camden Market. The place had a desolate air: the vendors would not arrive until early next morning, and now only stray cats and bits of windblown trash moved in the shadows. In the surrounding buildings people spilled out onto balconies, drinking and calling back and forth, their voices hollow and their long shadows twisting across the ill-lit central courtyard. Jane hurried to the far end, but there found only brick walls, closed-up shop doors, and a young woman huddled within the folds of a filthy sleeping bag.

“Couldya—couldya—” the woman murmured.

Jane turned and followed the wall until she found a door leading into a short passage. She entered it, hoping she was going in the direction of Camden High Street. She felt like Alice trying to find her way through the garden in Wonderland: arched doorways led not into the street but head-shops and blindingly lit piercing parlors, open for business; other doors opened onto enclosed courtyards, dark, smelling of piss and marijuana. Finally from the corner of her eye she glimpsed what looked like the end of the passage, headlights piercing through the gloom like landing lights. Doggedly she made her way towards them.

“Ay watchowt watchowt,” someone yelled as she emerged from the passage onto the sidewalk, and ran the last few steps to the curb.

She was on the High Street—rather, in that block or two of curving no-man’s-land where it turned into Chalk Farm Road. The sidewalks were still crowded, but everyone was heading towards Camden Lock and not away from it. Jane waited for the light to change and raced across the street, to where a cobblestoned alley snaked off between a shop selling leather underwear and another advertising “Fine French Country Furniture.”

For several minutes she stood there. She watched the crowds heading towards Camden Town, the steady stream of minicabs and taxis and buses heading up Chalk Farm Road towards Hampstead. Overhead, dull orange clouds moved across a night sky the color of charred wood; there was the steady low thunder of jets circling after takeoff at Heathrow. At last she tugged her collar up around her neck, letting her hair fall in loose waves down her back, shoved her hands into her coat pockets, and turned to walk purposefully down the alley.

Before her the cobblestone path turned sharply to the right. She couldn’t see what was beyond, but she could hear voices: a girl laughing, a man’s sibilant retort. A moment later the alley spilled out onto a cul-de-sac. A couple stood a few yards away, before a doorway with a small copper awning above it. The young woman glanced sideways at Jane, quickly looked away again. A silhouette filled the doorway; the young man pulled out a wallet. His hand disappeared within the silhouette, reemerged, and the couple walked inside. Jane waited until the shadowy figure withdrew. She looked over her shoulder, then approached the building.

There was a heavy metal door, black, with graffiti scratched into it and pale blurred spots where painted graffiti had been effaced. The door was set back several feet into a brick recess; there was a grilled metal slot at the top that could be slid back, so that one could peer out into the courtyard. To the right of the door, on the brick wall within the recess, was a small brass plaque with a single word on it.

HIVE

There was no doorbell or any other way to signal that you wanted to enter. Jane stood, wondering what was inside; feeling a small tingling unease that was less fear than the knowledge that even if she were to confront the figure who’d let that other couple inside, she herself would certainly be turned away.

With a skreek of metal on stone the door suddenly shot open. Jane looked up, into the sharp, raggedly handsome face of a tall, still youngish man with very short blond hair, a line of gleaming gold beads like drops of sweat piercing the edge of his left jaw.

“Good evening,” he said, glancing past her to the alley. He wore a black sleeveless T-shirt with a small golden bee embroidered upon the breast. His bare arms were muscular, striated with long sweeping scars: black, red, white. “Are you waiting for Hannah?”

“No.” Quickly Jane pulled out a handful of five-pound notes. “Just me tonight.”

“That’ll be twenty then.” The man held his hand out, still gazing