Poe's children: the new horror : an anthology - By Peter Straub Page 0,18

set his jar on the floor, opened a small door at the base of the cylindrical cage, and deftly angled the net inside. Butterflies lifted in a yellow-green blur from leaves and branches; the man swept the net carefully across the bottom of the cage, then withdrew it. Three dead butterflies, like scraps of colored paper, drifted from the net into the open jar.

“Housecleaning,” he said, and once more thrust his arm into the cage. He was slender and wiry, not much taller than she was, his face hawkish and burnt brown from the sun, his thick straight hair iron-streaked and pulled back into a long braid. He wore black jeans and a dark-blue hooded jersey, with an ID badge clipped to the collar.

“You work here,” said Jane. The man glanced at her, his arm still in the cage; she could see him sizing her up. After a moment he glanced away again. A few minutes later he emptied the net for the last time, closed the cage and the jar, and stepped over to a waste bin, pulling bits of dead leaves from the net and dropping them into the container.

“I’m one of the curatorial staff. You American?”

Jane nodded. “Yeah. Actually, I—I wanted to see about volunteering here.”

“Lifewatch desk at the main entrance.” The man cocked his head towards the door. “They can get you signed up and registered, see what’s available.”

“No—I mean, I want to volunteer here. With the insects—”

“Butterfly collector, are you?” The man smiled, his tone mocking. He had hazel eyes, deep-set; his thin mouth made the smile seem perhaps more cruel than intended. “We get a lot of those.”

Jane flushed. “No. I am not a collector,” she said coldly, adjusting her glasses. “I’m doing a thesis on dioxin genital mutation in Cucullia artemisia.” She didn’t add that it was an undergraduate thesis. “I’ve been doing independent research for seven years now.” She hesitated, thinking of her Intel scholarship, and added, “I’ve received several grants for my work.”

The man regarded her appraisingly. “Are you studying here, then?”

“Yes,” she lied again. “At Oxford. I’m on sabbatical right now. But I live near here, and so I thought I might—”

She shrugged, opening her hands, looked over at him, and smiled tentatively. “Make myself useful?”

The man waited a moment, nodded. “Well. Do you have a few minutes now? I’ve got to do something with these, but if you want you can come with me and wait, and then we can see what we can do. Maybe circumvent some paperwork.”

He turned and started across the room. He had a graceful, bouncing gait, like a gymnast or circus acrobat: impatient with the ground beneath him. “Shouldn’t take long,” he called over his shoulder as Jane hurried to catch up.

She followed him through a door marked AUTHORIZED PERSONS ONLY, into the exhibit laboratory, a reassuringly familiar place with its display cases and smells of shellac and camphor, acetone and ethyl alcohol. There were more cages here, but smaller ones, sheltering live specimens—pupating butterflies and moths, stick insects, leaf insects, dung beetles. The man dropped his net onto a desk, took the jar to a long table against one wall, blindingly lit by long fluorescent tubes. There were scores of bottles here, some empty, others filled with paper and tiny inert figures.

“Have a seat,” said the man, gesturing at two folding chairs. He settled into one, grabbed an empty jar and a roll of absorbent paper. “I’m David Bierce. So where’re you staying? Camden Town?”

“Jane Kendall. Yes—”

“The High Street?”

Jane sat in the other chair, pulling it a few inches away from him. The questions made her uneasy, but she only nodded, lying again, and said, “Closer, actually. Off Gloucester Road. With friends.”

“Mm.” Bierce tore off a piece of absorbent paper, leaned across to a stainless steel sink, and dampened the paper. Then he dropped it into the empty jar. He paused, turned to her, and gestured at the table, smiling. “Care to join in?”

Jane shrugged. “Sure—”

She pulled her chair closer, found another empty jar, and did as Bierce had, dampening a piece of paper towel and dropping it inside. Then she took the jar containing the dead brimstones and carefully shook one onto the counter. It was a female, its coloring more muted than the males’ she scooped it up very gently, careful not to disturb the scales like dull green glitter upon its wings, dropped it into the jar, and replaced the top.

“Very nice.” Bierce nodded, raising his eyebrows. “You seem to