of blasting their way in here would have been superfluous. But Osokin could see that the Turcomans were not here for their own comfort. They were here to guard something.
And what they were guarding stood at the very centre of the room.
It was a chair; a wooden chair – sturdy but surely not comfortable. The word ‘throne’ might have been more apposite, given its slightly raised, central position and the evident fact that this room – this throne room – existed solely to house it. But the man sitting in it was no king, those surrounding him no loyal courtiers. He did not move. At first Osokin suspected he might be dead, but looking closer he saw the man’s eyes constantly flickering, taking in what was happening around him.
Osokin walked forward, oblivious of the melee that was taking place. With his injured arm, there was little he would have been able to do to defend himself, but he found he was strangely removed from what was going on all around. The Turcomans’ objective did not seem to be the repulsion of the invading soldiers, but was more like a retreat; a retreat which the Russians were intent on hindering. But how they might escape was unclear. There was only one door to the chamber – the one which Lukin had so effectively blown from its hinges – but the Turcomans did not head for it. Instead they were making for two muster points, towards the back of the room on either side of the chair, marked by pieces of machinery whose detail Osokin could not make out. None tried to defend the chair itself, though no one save Osokin was attempting to approach.
As he got closer, he could see more clearly why the occupant did not move: he was bound where he sat. On his forearms and shins, thick leather straps fastened him to its arms and legs and, as if this might not be enough to fetter him, chains added a further layer of constraint. A strap stretched across his shoulders, and his head was kept still by yet another across his forehead, pressing his unkempt blond hair tight against his skull and binding him to some extension of the chairback that Osokin could not see. The prisoner – there could be no doubt as to what he was – strained every sinew against his bonds, but could do nothing to free himself, or even to move.
It had become lighter. Osokin looked around, realizing that it had been no gradual process but a sudden increase in illumination beyond what was provided by the oil lamps. He looked up and saw that the dark circle at the apex of the chamber’s coned ceiling was now partially lit, almost like a waxing moon. Sunlight was spilling through and illuminating the wall, the line between dark and shadow gradually moving, soon to reach the floor as the gap above opened further.
A shot rang out. Osokin looked and saw Otrepyev holding his pistol, his arm outstretched. Following its line, he saw a Turcoman slump to the ground. Beside him was one of the machines that Osokin had observed. It was fastened to the wall; a large wheel with a crank handle, which two of the dead man’s comrades continued to operate.
Otrepyev did not expend any more bullets, but strode over towards them, sabre in hand – the height that had so restricted him in the tunnels now giving him impressive speed without his having to break into a run. One of the men let go of the wheel and drew his sword in an attempt to defend his post, but Otrepyev quickly dispatched him with a backhand blow to the neck. The remaining guard desperately tried to turn the handle more quickly. Osokin could see now that from the wheel a long rope ran up the wall to a pulley, after which its path could not be seen, but it was clear enough that it was this which was gradually drawing aside the shutter that had been blocking out the sun, and allowing its light to spill into the room.
Why this action should be of such vital importance to the Turcoman was unclear, but it most certainly cost him his life. Otrepyev brought his sword down on the man’s hands. The Turcoman snatched them away from the wheel and held them up in front of him, as if hiding his face in fear. But one hand, lolling from his wrist by the fragment