reached into the drawer for the keys. Whether they were in the exact spot she had last left them, she doesn't know, since the last time she put them in the desk she merely dropped them inside without a second thought."
Lynley marvelled at the amount of information Macaskin had been able to gather in his restricted time at the house. He eyed the man with growing respect. "These people all knew each other, didn't they? So why was Joy Sinclair's door locked?"
"Argie-bargie last nicht," Lonan put in from his chair in the corner.
"An argument? What sort?"
Macaskin shot the constable an aggrieved look, apparently for lapsing into colloquialism, something that his men were obviously not supposed to do. He said, apologetically, "That's all we managed to get from Gowan Kilbride this morning before Mrs. Gerrard strong-armed him away with the order to wait for Scotland Yard. Just that there was some sort of row involving the lot of them. Seems some china was broken in the midst of it, and there was an accident in the great hall with liquor. One of my men found bits and pieces of broken porcelain and glass thrown into the rubbish. Some Waterford also. It looks like quite a set-to."
"Involving Helen as well?" St. James didn't wait for an answer. "How well does she know these people, Tommy?"
Lynley shook his head slowly. "I didn't know she knew them at all."
"She didn't tell you-"
"She begged off Cornwall with other plans, St. James. She didn't tell me what they were. And I didn't ask." Lynley looked up to see the change in Macaskin's expression, a sudden movement of his eyes and lips, nearly imperceptible. "What is it?"
Macaskin seemed to give pause to think before he reached for a folder, flipped it open, and drew out a slip of paper. It was not a report but a message, the kind that gives information in "eyes only" fashion from one professional to another. "Fingerprints," he explained. "On the key that locked the door adjoining Helen Clyde's and the victim's rooms." As if in the knowledge that he was dancing his way down a very fine line between disobeying his own chief constable's orders to leave everything to the Yard and giving a brother officer what assistance he could, Macaskin added, "Appreciate it if you'd make no mention of hearing this from me when you write your report, but once we saw that the door between those two rooms was our access route, we brought its key back here for testing on the sly and compared the prints on it with some we lifted from water glasses in the other rooms."
"The other rooms?" Lynley asked. "So they're not Helen's prints on the key?"
Macaskin shook his head. When he spoke, his voice was tellingly noncommittal. "No. They belong to the director of the play. A Welshman, bloke called Rhys Davies-Jones."
Lynley did not respond immediately. Rather, after a moment, he said, "Then Helen and Davies-Jones must have exchanged rooms last night."
Across from him, he saw Sergeant Havers wince, but she didn't look at him. Instead, she ran one stubby finger along the edge of the table and kept her eyes on St. James. "Inspector-" she began in a careful voice, but Macaskin interrupted her.
"No. According to Mary Agnes Campbell, no one at all spent the night in Davies-Jones' room."
"Then where on earth did Helen-" Lynley stopped, feeling the grip of something awful take him, like the onslaught of an illness that swept right through his skin. "Oh," he said, and then, "Sorry. Don't know what I was thinking about." He fixed his eyes on the fl oor plan intently.
As he did so, he heard Sergeant Havers mutter a brooding oath. She reached into her pocket and pulled out the six cigarettes she had taken from him in the van. One was broken, so she tossed it in the rubbish and picked another. "Have a smoke, sir," she sighed.
ONE CIGARETTE, Lynley found, did not do much to ameliorate the situation. You have no hold on Helen, he told himself roughly. Just friendship, just history, just years of shared laugh-ter.And nothing else. She was his amusing companion, his confidante, his friend. But never his lover. They had both been too careful, too wary for that, too much on guard ever to become entangled with each other.
"Have you started the autopsy?" he asked Macaskin.
Clearly, this was the question the Scot had been awaiting ever since their arrival. With the kind of undisguised flourish typical of