Out Of The Silent Planet - By C. S. Lewis Page 0,2

and he had no difficulty in making out a large stone house divided from him by a width of untidy and neglected lawn. The drive branched into two a little way ahead of him - the right-hand path leading in a gentle sweep to the front door, while the left ran straight ahead, doubtless to the back premises of the house. He noticed that this path was churned up into deep ruts -now full of water - as if it were used to carrying a traffic of heavy lorries. The other, on which he now began to approach the house, was overgrown with moss. The house itself showed no light: some of the windows were shuttered, some gaped blank without shutter or curtain, but all were lifeless and inhospitable. The only sign of occupation was a column of smoke that rose from behind the house with a density which suggested the chimney of a factory, or at least of a laundry, rather than that of a kitchen. The Rise was clearly the last place in the world where a stranger was likely to be asked to stay the night, and Ransom, who had already wasted some time in exploring it, would certainly have turned away if he had not been bound by his unfortunate promise to the old woman.

He mounted the three steps which led into the deep porch, rang the bell, and waited. After a time he rang the bell again and sat down on a wooden bench which ran along one side of the porch. He sat so long that though the night was warm and starlit the sweat began to dry on his face and a faint chilliness crept over his shoulders. He was very tired by now, and it was perhaps this which prevented him from rising and ringing the third time: this, and the soothing stillness of the garden, the beauty of the summer sky, and the occasional hooting of an owl somewhere in the neighbourhood which seemed only to emphasize the underlying tranquillity of his surroundings. Something like drowsiness had already descended upon him when he found himself startled into vigilance. A peculiar noise was going on - a scuffling, irregular noise, vaguely reminiscent of a football scrum. He stood up. The noise was unmistakable by now. People in boots were fighting or wrestling or playing some game. They were shouting too. He could not make out the words but he heard the monosyllabic barking ejaculations of men who are angry and out of breath. The last thing Ransom wanted was an adventure, but a conviction that he ought to investigate the matter was already growing upon him when a much louder cry rang out in which he could distinguish the words, "Let me go. Let me go," and then, a second later, "I'm not going in there. Let me go home."

Throwing off his pack, Ransom sprang down the steps of the porch, and ran round to the back of the house as quickly as his stiff and footsore condition allowed him. The ruts and pools of the muddy path led him to what seemed to be a yard, but a yard surrounded with an unusual number of outhouses. He had a momentary vision of a tall chimney, a low door filled with red firelight, and a huge round shape that rose black against the stars, which he took for the dome of a small observatory: then all this was blotted out of his mind by the figures of three men who were struggling together so close to him that he almost cannoned into them. From the very first Ransom felt no doubt that the central figure, whom the two others seemed to be detaining in spite of his struggles, was the old woman's Harry. He would like to have thundered out, "What are you doing to that boy?" but the words that actually came - in rather an unimpressive voice -were, "Here! I say!..."

The three combatants fell suddenly apart, the boy blubbering. "May I ask," said the thicker and taller of the two men, "who the devil you may be and what you are doing here?" His voice had all the qualities which Ransom's had so regrettably lacked.

"I'm on a walking tour," said Ransom, "and I promised a poor woman -"

"Poor woman be damned," said the other. "How did you get in?"

"Through the hedge," said Ransom, who felt a little ill-temper coming to his assistance. "I don't know what you're doing to that