The Other Queen Page 0,11

I left him with trustworthy guardians in Stirling Castle, but what if they are besieged? I dare not sit here quietly and wait for Elizabeth to forge a treaty with my enemies that sends me on parole to France or orders me to hide in some convent. I have to get back to Scotland and enter the battle for my throne once more. I did not escape from Lochleven Castle to do nothing. I did not break free from one prison to wait quietly in another. I have to be free.

Nobody can know what this is like for me. Certainly not Elizabeth, who was practically raised in prison, under suspicion from the age of four. She is a woman trained to a cell. But I have been mistress of my own great rooms since I was a girl of eleven in France. My mother insisted I should have my own rooms, my own presence chamber, my own entourage; even as a child I had the ordering of my own household. Then as now, I cannot bear to be constrained; I must be free.

The ambassador bids me keep up my courage and wait for his news. But I cannot just wait. I cannot have patience. I am a young woman in the very prime of my health and beauty and fertility. They have left me to celebrate my twentysixth birthday in prison. What do they think they are doing to me? What do they think I will endure? I cannot be confined. I must be free. I am a queen, I was born to command. They will find that I am a dangerous and untamed prisoner. They will find that I will be free.

1568, WINTER, CHATSWORTH HOUSE: BESS

Cecil’s clerk writes to tell me that Mary Queen of Scots is not to come to us at Chatsworth, where I could entertain her as she deserves: in a great house with a beautiful park and everything done as it should be. No, she is to come to Tutbury Castle in Staffordshire: one of our poorest properties and halfderelict, and I have to turn my life upside down to make this ruin fit for a queen in the middle of winter.

“If your lord and husband could only have been prevailed on to see all the evidence against her, she could have been returned to Scotland in disgrace already,” Cecil writes, sweet as an unripe apple, in a postscript. “Then we would all have been able to rest easy this Christmastide.”

There is no need for Cecil to reproach me. I warned my lord that the inquiry was a sham and a show, as close to life as are the mummers dressed in motley at Christmas. I told him that if he chose to become a player in this scene of Cecil’s devising then he must follow the playscript word by word. He was not invited there to improvise. He should have found the verdict that Cecil wanted. But he would not. If you hire an honorable man to do dirty work you will find the work honorably done. Cecil chose the wrong lord when he chose my husband to supervise the disgrace of the Scots queen. And so Cecil has no scandal, and no dishonored queen, and I have no husband at home, and I have to clean and rebuild a derelict castle in the middle of winter.

Cecil says, “I am sorry that you have to house this Athalia, but I hope it will not be for long, for certainty, she will follow the destiny of her namesake.”

This obviously means something to Cecil, who has the benefit of a man’s education, but for a woman such as me, the daughter of a farmer, it is as opaque as a code. Fortunately, my darling son Henry is staying with me, on a brief holiday from his place at court. His father, my second husband, Cavendish, left me with instructions and an income to get him educated like a gentleman, and I sent him, and then his two brothers, to school at Eton.

“Who is Athalia?” I ask him.

“Obscure,” he replies.

“So obscure that you don’t know the answer?”

He smiles lazily at me. He is a handsome boy and he knows that I dote on him.

“So, my Mama-Countess. What is the information worth to you? We live in a world where all intelligence is for sale. You pay me well enough to report the gossip from court. I am your spy in the house of your friend Robert Dudley.

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