My work style is to sit on the couch, cover the rest of the couch, the coffee table, and the floor in papers, and wade through them. There's a basketball game on the television that serves as background music. The Knicks are playing the Pacers, and I bet on the Knicks minus three. Allan Houston just hit a jump shot. Once in my life I want to hit a backhand down the line like Pete Sampras and shoot a jump shot as smoothly as Allan Houston. The Knicks are up by eleven with a minute to go, my bet is locked, and as my mother used to say, “Money goes to money.”
The doorbell rings and I yell up for Nicole to get it. She doesn't hear me, so I answer it myself, which is just as well, since Laurie comes in, all excited. The last time she was here, she was a different kind of excited, but that's ancient history.
She doesn't even say hello, just launches into what she has to tell me. This is a sign that she's into the case, and I'm pleased about that. As it turns out, her visit has nothing to do with the Miller case at all.
“You've gotta hear this,” she says. “I ran into my friend, the one who works for Frank Brownfield, the developer? He agreed that the guy in the picture looked like Brownfield, so I gave him a copy of the picture, and he said he would check it out.”
“And?” I ask.
“And I got a call back an hour ago … what's it, ten o'clock? … from my friend …”
At this point, Nicole comes downstairs and into the room. On the list of people I was hoping would join us at that moment, Nicole ranks just below Charles Manson.
“Oh, hello, Laurie. How are you?”
Laurie hesitates, then says, “Okay … I'm okay. I didn't realize I was interrupting anything.”
“Oh, you aren't. I was just going up to bed. See you in a while, Andy?” That's Nicole, another gracious winner.
“In a while. Laurie needs to talk to me about something.”
Nicole nods. “Nice seeing you, Laurie.”
Nicole goes upstairs; it's my turn to speak. Too bad I feel like I swallowed the four-hundred-pound watermelon from Sofý.
“I should have told you. Nicole moved back in.”
Laurie puts on a look of feigned surprise. “She did? You're kidding! I just assumed her car broke down and she stopped here to phone for help.”
“Laurie …”
“Your wife is waiting for you. We can talk about Brownfield tomorrow.”
“No, let's talk about him now. So your friend called you and said what?”
The enthusiasm is now gone from Laurie's voice, but she says, “He said the picture is not Brownfield, on second thought looks nothing like Brownfield, and Brownfield knows nothing about it.”
“So?”
“So he didn't sound like himself, and he denied it so hard, you'd think the guy in the picture was naked in bed with a goat. And then, just before he gets off the phone, he asks where I got the picture.”
“What did you say?”
“That if it isn't Brownfield, what do you care?”
So now we have what seems to be a harmless picture of a bunch of guys, none of whom will admit to being in it. And we're no closer to finding out why.
Laurie leaves and I go upstairs. Nicole is in bed, waiting for me as promised. She's reading a book, but she looks up as I walk in.
“Break in that murder case?”
Nicole uses the word “that” as a distancing mechanism. “That” murder case. “That” friend of yours. It diminishes the importance of what she is talking about, and removes any connection to her.
“No. But the situation with the picture is getting stranger and stranger. Brownfield denies that it's him … vehemently.”
“Maybe they were a group of men who got together to cheat on their wives. It does happen, you know.”
“Except this time it may have ended with my father getting two million dollars.”
“Where are you going with this, Andy? What will you do if you find out what happened?”
I have no real answer to this. I can't predict how I will react until I know what it is I am reacting to.
By this time I'm already undressed. I shed clothes faster than basketball players tearing off their warm-up suits as they enter a game. I get into bed, and Nicole drops the bomb.