One Last Stop - Casey McQuiston Page 0,87

two unrelated cold cases in the course of her work. She plays dirty, she knows her shit, and she never lets things go. It’s the best and worst thing about her.

So when she answers her mom’s nightly phone call—the one she’s been sending to voicemail for a couple of hazy weeks—she doesn’t plan on bringing Jane up. At all.

But her mom knows.

“Why do I get the feeling there is something you’re not telling me?” August can hear the shredder in the background. She must have gotten her hands on some files she’s not supposed to have. “Or someone?”

“I—”

“Oh, it’s a someone.”

“I literally said one syllable.”

“I know my kid. You sound like you did when Dylan Chowdhury accidentally put his promposal note in your locker junior year and then asked for it back so he could give it to the girl two lockers down.”

“Oh my God, Mom—”

“So who is he?”

“The—”

“Or she! It could be a she! Or a … they?”

August doesn’t even have it in her to be moved at how hard she’s trying to be inclusive. “It’s nobody.”

“Cut the shit, kid.”

“Okay, fine,” August says. Once her mother wants an answer, she won’t stop until she gets it. “There’s a girl I met, um, on the subway. That I’ve kind of been seeing. But I don’t think she wants anything serious. She’s not exactly … available.”

“I see,” her mom says. “Well, you know what my policy is.”

“Never go to a second location with someone unless you’ve checked their trunk for weapons first,” August monotones.

“You can mock it all you want, but I’ve never been murdered.”

August could explain that Jane can’t even leave the subway, but instead, she shifts and asks, “What about Detective Primeaux? Is he still a shit?”

“Oh, let me tell you what that smarmy fuck said to me last time I called,” she says, and she’s off.

August switches her phone to speaker, letting her mom’s voice blur into white noise. She goes over the timeline as her mom talks about a lead she’s tracked down, that Augie could have passed through Little Rock in 1974, and she thinks about Jane’s name. Su Biyu. Biyu Su.

“Anyway,” her mom says, “there’s an answer out there somewhere. I’ve been thinking about him so much lately, you know?”

August looks at her bedroom wall, at the photos pinned up with the exact brand of pushpin her mom once used to poke holes in their living room. She thinks about her mom, consumed by this person who can’t ever come back, living and dying by this mystery that doesn’t have a solution. Orienting her entire life around a ghost.

“Yeah,” August says.

Thank God she’s nothing like that.

* * *

“Does my lipstick look okay?” Myla says, turning sideways to blink at August. Her elbow knocks Wes’s phone out of his hands, and he grumbles as he retrieves it from the subway floor.

“Hang on,” Jane says, leaning across to fix a smudge of bright blue lipstick with the edge of her thumb. “There. Now you’re perfect.”

“She’s always perfect,” Niko says.

“Gross,” Wes groans. “You’re lucky it’s your birthday.”

“It’s my birthdaaaay,” Niko singsongs happily.

“The ripe old age of twenty-five,” Myla says. She kisses him on the cheek, effectively smudging her lipstick again.

Niko straightens the red bandana around his neck like a cowboy sauntering out of a saloon. He’s wearing denim on denim, a thrifted jean jacket from which he ripped an American flag patch to stitch on a Puerto Rican flag in its place. A Boricua Springsteen on the Fourth of July. It is, in fact, the Fourth of July.

“So what exactly is Christmas in July?” August asks, tugging at the hideous Valentine’s Day T-shirt she picked up from Goodwill. It has a picture of Garfield surrounded by cartoon hearts and says I’LL BE YOUR LASAGNA. It took two tries to explain it to Jane. “And why is it Niko’s birthday tradition?”

“Christmas in July,” Myla says grandly, with a broad gesture that knocks Wes’s phone back to the floor, “is an annual Fourth of July tradition at Delilah’s in which we celebrate the birthday of this great nation”—she does a jerk-off gesture and Niko boos—“with themed beverages and an all-star lineup of drag royalty doing holiday-themed performances.”

“It’s not just Christmas, though,” Niko notes.

“Right,” Myla adds. “They still call it Christmas in July, but it’s evolved to include all holidays. Last year, Isaiah did a Thanksgiving dessert burlesque number to ‘My Goodies’ and wore sweet potato titty tassels and an apple pie g-string. It was amazing. Wes just, like, walked out

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