One Last Stop - Casey McQuiston Page 0,144

anything you want, Subway Girl.”

The line keeps shuffling forward until they’re the last ones outside the bus, clutching tickets in clammy palms. Maybe it’s insane to try this. Maybe there’s no way to know exactly how anything will turn out. Maybe that’s okay.

At the door, Jane turns to August. She looks nervous, a little queasy even, but her jaw is set. She lived because she wanted to. There’s nothing she can’t do.

“There’s a very big chance that this could be a disaster,” Jane says.

“Never stopped us before,” August tells her, and she pulls her up the steps.

* * *

Letter from Jane Su to August Landry.

Handwritten on a sheet of lined paper ripped from August’s sex notebook, which Jane was definitely not supposed to know about, secretly tucked into a jacket pocket the night of the Save Pancake Billy’s House of Pancakes Pancakepalooza Drag & Art Extravaganza. Discovered months later on a bus to San Francisco.

August,

August August August.

August is a time, a place, and a person.

The first time I remember tasting a nectarine, my sisters were too small to be allowed in the kitchen. It was only my dad and me in the back of the restaurant, me propped up on a prep table. He was slicing one up, and I stole a piece, and he always told me that was the moment he knew I’d be trouble. He taught me the word for it. I loved the way it felt in my mouth. It was late summer, warm but not hot, and nectarines were ripe. So, you know. August is a time.

The first time I felt at home after I left home, New Orleans was dripping summer down my back. I was leaning against the wrought iron railing of our balcony, and it was almost hot enough to burn, but it didn’t hurt. A friend I hadn’t meant to make was in the kitchen cooking meat and rice, and he left the window open. The steam kept kissing the humid air, and I thought, they’re the same, like the Bay is the same as the River. So, August is a place.

The first time I let myself fall, it wasn’t hot at all. It was cold. January. There was ice on the sidewalks—at least, that’s what I’d heard. But this girl felt like nectarines and balconies to me. She felt like everything. She felt like a long winter, then a nervous spring, then a sticky summer, and then those last days you never thought you’d get to, the ones that spread themselves out, out, out until they feel like they go on forever. So, August is a person.

I love you. Summer never ends.

Jane

   new york > brooklyn > community > missed connections

* * *

Posted December 29, 2020

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ACKNOWLEDGMENTS

Where to begin?

Like this book, these acknowledgments have gone through multiple drafts. An earlier version was about the anxiety of the sophomore slump, but I decided that one was a bit of a downer. What do I really want to say about this book? That it was hard to write? Of course it was hard to write. It’s a romance novel that takes place on the subway. Like, come on.

The truth is, even when this book was trying to kick my ass in a Waffle House parking lot, I loved every second, because it is the weird, fun, horny project of my heart. I still can’t quite believe I got to do it.

I love this book. I love August, with her cactus spines and her dreams of a home, and Jane, my firecracker girl who refused to stay buried. I love this story because it’s about finding family and finding yourself against all odds, when the world has told you there’s no place for you. I love this story because it’s an Unbury Your Gays story. I’m so thankful for the chance to tell it. I’m so thankful you, reader, have chosen to read it.

So many more thanks are due here. First and foremost, I have to thank my tireless, thoughtful agent, Sara Megibow, for always being there to support me personally, hold my heart, and fight for my best interests. There’s no one I’d trust more to advocate for my work. A million thanks to my editor, Vicki

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