Object lessons - By Anna Quindlen Page 0,8

Connie had thought that the child was at the convent until she saw the little hand, still dimpled at the knuckle, clutching a hundred-dollar bill.

“I’m sorry, Con,” Margaret had said. “They took to each other like fish to water.” Connie’s narrow chest had gone cold. A year later her daughter was in private school, her tuition paid for by her grandfather. Connie had never felt the same about her since.

After that she had waited for the vultures to circle her marriage, but with the exception of a few obligatory holiday dinners and the occasional party, she and Tommy had somehow managed to stay outside her father-in-law’s grip. She supposed that, with the exception of Maggie, he found them all beneath his notice.

John Scanlan had gotten his son James named chief of his department at Christ Hospital by giving them new X-ray equipment, and he had chosen a house for Mark and Gail, not far from his own. His younger sons had come to work for him and without a whimper had become completely dependent on their father’s industry, and his whims.

Only Margaret had escaped for a time, sent to study philosophy at Tulane while living in a New Orleans convent covered with wisteria and wrought iron. She had written home about a doctoral degree and the fiery food, and had bloomed in the heat.

And then John Scanlan had taken the Mother Superior to lunch in a steak house, given her a check for ten thousand dollars for a new chapel for the order’s retreat house, and Margaret had been reassigned to a school not five miles from the house she had left for the convent. She taught first grade and read Kierkegaard on the sly. Sometimes Connie looked at all of them, gathered around the big table in John and Mary Frances Scanlan’s dining room, and thought they all were covered with blood except for her.

Slowly she stacked the plates and placed them on the bottom shelves of the breakfront. From outside she could hear a peculiar noise, and looked out the dining-room window to watch Maggie come up the street, moving toward home, flat-footed and slow. It struck her again that Maggie walked a little like Connie’s own mother had, head down, shoulders thrust forward. “The weight of the world on her shoulders,” someone had once said to Connie of her mother, and it was true of her daughter, too. Otherwise, she knew, the two couldn’t have been more different.

Anna Mazza had been built like a cardboard box, and Connie had often thought she had all the sensitivity of one. Maggie was always thinking, thinking, thinking, keeping silent only so she could figure out what made the world work. Connie didn’t feel qualified to tell her; she was still trying to figure it out herself. And so the two of them had sunk into silence just around the time that both had noticed that Maggie would soon be taller than Connie.

Her cousin Celeste had assured Connie that this was the way it was with girls, that they should be put in the deep freeze until they were twenty-one, that every mother was made to feel she was a palpable insult by a daughter of a certain age. But all Connie could remember was how much she had loved Maggie as a baby, how the nurses would hold her up at the nursery window and perfect strangers on the other side would say “oh” with such conviction that small spots of fog would appear on the glass.

Maggie had had a great furry head of black hair, navy eyes that seemed bottomless, a moon face, and two small violet bruises where the forceps had reached in and pulled her out. She had weighed an even ten pounds, and Connie, small and wan in her satin bed jacket, had felt that Maggie was her great accomplishment, the finest thing she had ever done. But the connection between herself and her daughter had slowly disappeared, until there were only memories of warm curves, of a little pink mouth working against her skin. When Connie had asked the last week of school whether she should order next year’s uniform blouses with darts in them, Maggie had seethed for three days, leaving the house for hours on end, discernible when she was around by the way she made the closing of a door or the placing of a glass on a table sound like something between profanity and physical violence. “You know why they call

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