the professionals. The phone call he'd received had used the phrase "possible serial killing" and because of this, as he walked, he steeled himself to see something terrible: a disembowelment in the manner of Jack the Ripper, perhaps, a decapitation or dismemberment. He'd assumed it would be the horrific that he would be gazing upon when he worked his way to look at the top of the tomb in question. What he hadn't assumed was that it would be the sinister.
Yet that was what the body represented to him: the sinister, left hand of evil. Ritualistic killings always struck him that way. And that this murder had been a ritual was something that he did not doubt.
The effigylike arrangement of the body served to encourage that deduction, but so did the mark in blood on the forehead: a crude circle crisscrossed by two lines that each bore cruciforms at the top and the bottom. Additionally, the element of a loincloth added support to this conclusion: an odd, lace-edged piece of fabric, which had been tucked, as if lovingly, round the genitals.
As Lynley donned the latex gloves and stepped to the side of the tomb to gaze more closely upon the body, he saw and learned of the rest of the signs that pointed to some sort of arcane rite having been carried out upon it. "What've we got?" he murmured to the forensic pathologist, who'd been snapping off his gloves and shoving them into his pocket.
"Two A.M. or thereabouts," was the succinct reply. "Strangulation, obviously. Incised wounds all inflicted after death. One cut for the primary incision down the torso, with no hesitation. Then...see the separation here? Just at the area of the sternum? It looks like our knife man dipped his hands inside and forced a bigger opening, like a quack surgeon. We won't know if anything's missing inside him till we cut him open ourselves. Looks doubtful, though."
Lynley noticed the inflection the pathologist had given to the word inside. He glanced quickly at the victim's folded hands and his feet. All digits accounted for. He said, "As to outside the body? Is something missing?"
"The navel. It's been chopped right off. Have a look."
"Christ."
"Yes. Ope's got a dodgy one on her hands."
Ope turned out to be a grey-haired woman in scarlet earmuffs and matching mittens who came striding towards Lynley from a group of uniformed constables who'd been in some sort of discussion when he'd arrived on the scene. She introduced herself as DCI Opal Towers, from Theobald's Road police station, in whose patch they were currently standing. She'd taken just one look at the body and concluded they had a killer who "could definitely go serial," she'd explained. She'd mistakenly thought that the boy on the tomb was the unfortunate initial victim of someone they could identify quickly and stop before he struck again. "But then DC Hartell over there"-with a nod towards a baby-faced detective constable who chewed gum compulsively and watched them with the nervous eyes of someone expecting a dressing down-"said he'd seen a killing something like this in Tower Hamlets when he worked out of the Brick Lane station a while back. I phoned his former guv and we had a few words. We think we're looking at the same killer in both cases."
At the time, Lynley hadn't asked why she'd then phoned the Met. He hadn't known till he met with Hillier that there were additional victims. He hadn't known that three of the victims were racial minorities. And he hadn't known that not a single one of them had yet been identified by the police. All that was later spelled out to him by Hillier. In St. George's Gardens, he merely reached the conclusion that reinforcements were called for and that someone was needed to coordinate an investigation that was going to involve turf in two radically different parts of town: Brick Lane in Tower Hamlets was the centre of the Bangladeshi community, containing remnants of the West Indian population who had once been its majority, while the area of St. Pancras, where St. George's Gardens formed a green oasis among distinguished Georgian conversions, was decidedly monochromatic, the colour in question being white.
He said to DCI Towers, "How far has Brick Lane got in their investigation?"
She shook her head and looked towards the wrought-iron gates through which Lynley had come. He followed her gaze and saw that members of the press and television news-distinguished by their notebooks, their handheld tape recorders, and