Necroscope IV Deadspeak - By Brian Lumley Page 0,70
Ma? What do I forget every time?'
You forget that you've been here before, in dreams, and that what my grandson did to you doesn't count here. That's what you've forgotten, and you do it every time! Now call me up, Harry, so that I can talk to you properly and walk with you a little way.
Was that right, that he could talk to her in dreams? He had used to in the old days - waking and dreaming alike - but it wasn't like that now.
But it is like it now, son. It's just that you need reminding each time!
And then another voice, not his mother's, echoing more in the caverns of his memory than his sleeping mind proper:
... You may not consciously speak to the dead. And if they speak to you, then you must strike their words immediately from memory or - suffer the consequences.
'My son's voice,' he sighed, as understanding came at last. 'So, how many times have we talked, Ma? I mean, since it started to hurt me ... in the last four years, say?' And even as she began to answer him he called her up, so that she rose from the water, reached out and took his hand, and was drawn up onto the bank - a young woman again, as she'd been on the day she died.
A dozen, twenty, fifty times (a mental shrug). It's hard to say, Harry. For always it's more difficult to get through to you. And oh, how we've missed you, Harry.
'We?' He took her hand and they walked along the dark river path together, under a full moon riding high through a cloud-wispy sky.
Me and all your friends, the teeming dead. A hundred there are all eager to hear your gentle voice again, son; a million more who would ask what you said; and all the rest to inquire how you're doing and what's become of you. And as for me: why, I'm like an oracle! For they know that I'm the one you speak to most of all. Or used to ...
'You make me feel like I've forsaken some olden trust,' he told her. 'But there never was one. And anyway, it isn't so! I can't help it that I can no longer talk to you. Or that I can't remember the times when I do. And how has it become difficult to get through to me? You called me and I came. Was that so difficult?'
But you don't always come, Harry. Sometimes I can feel you there, and I call out to you, and you shy away. And each time the waiting grows longer between visits, as if you no longer cared, or had forgotten us. Or as if, perhaps, we'd become a habit? Which you now desire... to break?
'None of that is true!' Harry burst out. But he knew that it was. Not a habit which he would break, no, but one which was being broken for him - by his fear. By his terror of the mental torture which talking to the dead would bring down on him. 'Or if it is true,' he said, more quietly now, 'then it's not my fault. My mind would be no good to you burned out, Ma. And that's what will happen if I push my luck.'
Well, (and suddenly he was aware of a new resolve in her voice, and of the strengthening of her cold fingers where they gripped his hand), then something must be done about it! About your situation, I mean - for there's trouble brewing, son, and the dead lie uneasy in their graves. Do you remember I told you, Harry, there was someone who wanted to talk to you? And how what he had to say was important?
'Yes, I remember. Who is he, Ma, and what is it that's so important?'
He wouldn't say, and his voice came from far, far away. But it's strange when the dead feel pain, Harry, for death usually puts them beyond it.
Harry felt his blood run cold. He remembered only too well how the dead, in certain circumstances, felt pain. Sir Keenan Gormley, murdered by Soviet mindspies, had been 'examined' by Boris Dragosani, a necromancer. And dead as he had been, he had felt the pain. 'Is it ... like that?' he asked his mother now, holding his breath until she answered.
I don't know how it is, she turned to him and looked him straight in the eye, for this is something I've never known before. But