My Sister, the Serial Killer - oyinkan braithwaite Page 0,1

the notebook. On the first page, I wrote, I saw a white owl through my bedroom window. The notebook has been mostly empty since.

“It’s not my fault, you know.” But I don’t know. I don’t know what she is referring to. Does she mean the inability to recall his surname? Or his death?

“Tell me what happened.”

THE POEM

Femi wrote her a poem.

(She can remember the poem, but she cannot remember his last name.)

I dare you to find a flaw

in her beauty;

or to bring forth a woman

who can stand beside

her without wilting.

And he gave it to her written on a piece of paper, folded twice, reminiscent of our secondary school days, when kids would pass love notes to one another in the back row of classrooms. She was moved by all this (but then Ayoola is always moved by the worship of her merits) and so she agreed to be his woman.

On their one-month anniversary, she stabbed him in the bathroom of his apartment. She didn’t mean to, of course. He was angry, screaming at her, his onion-stained breath hot against her face.

(But why was she carrying the knife?)

The knife was for her protection. You never knew with men, they wanted what they wanted when they wanted it. She didn’t mean to kill him; she wanted to warn him off, but he wasn’t scared of her weapon. He was over six feet tall and she must have looked like a doll to him, with her small frame, long eyelashes and rosy, full lips.

(Her description, not mine.)

She killed him on the first strike, a jab straight to the heart. But then she stabbed him twice more to be sure. He sank to the floor. She could hear her own breathing and nothing else.

BODY

Have you heard this one before? Two girls walk into a room. The room is in a flat. The flat is on the third floor. In the room is the dead body of an adult male. How do they get the body to the ground floor without being seen?

First, they gather supplies.

“How many bedsheets do we need?”

“How many does he have?” Ayoola ran out of the bathroom and returned armed with the information that there were five sheets in his laundry cupboard. I bit my lip. We needed a lot, but I was afraid his family might notice if the only sheet he had was the one laid on his bed. For the average male, this wouldn’t be all that peculiar—but this man was meticulous. His bookshelf was arranged alphabetically by author. His bathroom was stocked with the full range of cleaning supplies; he even bought the same brand of disinfectant as I did. And his kitchen shone. Ayoola seemed out of place here—a blight in an otherwise pure existence.

“Bring three.”

Second, they clean up the blood.

I soaked up the blood with a towel and wrung it out in the sink. I repeated the motions until the floor was dry. Ayoola hovered, leaning on one foot and then the other. I ignored her impatience. It takes a whole lot longer to dispose of a body than to dispose of a soul, especially if you don’t want to leave any evidence of foul play. But my eyes kept darting to the slumped corpse, propped up against the wall. I wouldn’t be able to do a thorough job until his body was elsewhere.

Third, they turn him into a mummy.

We laid the sheets out on the now dry floor and she rolled him onto them. I didn’t want to touch him. I could make out his sculpted body beneath his white tee. He looked like a man who could survive a couple of flesh wounds, but then so had Achilles and Caesar. It was a shame to think that death would whittle away at his broad shoulders and concave abs, until he was nothing more than bone. When I first walked in I had checked his pulse thrice, and then thrice more. He could have been sleeping, he looked so peaceful. His head was bent low, his back curved against the wall, his legs askew.

Ayoola huffed and puffed as she pushed his body onto the sheets. She wiped the sweat off her brow and left a trace of blood there. She tucked one side of a sheet over him, hiding him from view. Then I helped her roll him and wrap him firmly within the sheets. We stood and looked at him.

“What now?” she asked.

Fourth, they move the body.

We could have used the stairs, but