Miguel Street - By V. S. Naipaul Page 0,17
form of showing off, you know, all this quietness he does give us. He quiet just because he ain’t have anything to say, that’s all.’
Yet you could hear Hat telling all sorts of people at the races and cricket, ‘Big Foot and me? We is bosom pals, man. We grow up together.’
And at school I myself used to say, ‘Big Foot does live in my street, you hear. I know him good good, and if any one of all you touch me, I go tell Big Foot.’
At that time I had never spoken a single word to Big Foot.
We in Miguel Street were proud to claim him because he was something of a character in Port of Spain, and had quite a reputation. It was Big Foot who flung the stone at the Radio Trinidad building one day and broke a window. When the magistrate asked why he did it, Big Foot just said, ‘To wake them up.’
A well-wisher paid the fine for him.
Then there was the time he got a job driving one of the diesel-buses. He drove the bus out of the city to Carénage, five miles away, and told the passengers to get out and bathe. He stood by to see that they did.
After that he got a job as a postman, and he had a great time misplacing people’s letters. They found him at Dock-site, with the bag half full of letters, soaking his big feet in the Gulf of Paria.
He said, ‘Is hard work, walking all over the place, delivering people letters. You come like a postage stamp, man.’
All Trinidad thought of him as a comedian, but we who knew him thought otherwise.
It was people like Big Foot who gave the steel-bands a bad name. Big Foot was always ready to start a fight with another band, but he looked so big and dangerous that he himself was never involved in any fight, and he never went to jail for more than three months or so at a time.
Hat, especially, was afraid of Big Foot. Hat often said, ‘I don’t know why they don’t lose Big Foot in jail, you know.’
You would have thought that when he was beating his pans and dancing in the street at Carnival, Big Foot would at least smile and look happy. But no. It was on occasions like this that he prepared his sulkiest and grimmest face; and when you saw him beating a pan, you felt, to judge by his earnestness, that he was doing some sacred act.
One day a big crowd of us – Hat, Edward, Eddoes, Boyee, Errol and myself – went to the cinema. We were sitting in a row, laughing and talking all during the film, having a good time.
A voice from behind said, very quietly, ‘Shut up.’
We turned and saw Big Foot.
He lazily pulled out a knife from his trouser pocket, flicked the blade open, and stuck it in the back of my chair.
He looked up at the screen and said in a frightening friendly way, ‘Talk.’
We didn’t say a word for the rest of the film.
Afterwards Hat said, ‘You does only get policeman son behaving in that way. Policeman son and priest son.’
Boyee said, ‘You mean Big Foot is priest son?’
Hat said, ‘You too stupid. Priests and them does have children?’
We heard a lot about Big Foot’s father from Hat. It seemed he was as much a terror as Big Foot. Sometimes when Boyee and Errol and I were comparing notes about beatings, Boyee said, ‘The blows we get is nothing to what Big Foot uses to get from his father. That is how he get so big, you know. I meet a boy from Belmont the other day in the savannah, and this boy tell me that blows does make you grow.’
Errol said, ‘You is a blasted fool, man. How you does let people give you stupidness like that?’
And once Hat said, ‘Every day Big Foot father, the policeman, giving Big Foot blows. Like medicine. Three times a day after meals. And hear Big Foot talk afterwards. He used to say, “When I get big and have children, I go beat them, beat them.” ’
I didn’t say it then, because I was ashamed; but I had often felt the same way when my mother beat me.
I asked Hat, ‘And Big Foot mother? She used to beat him too?’
Hat, said, ‘Oh, God! That woulda kill him. Big Foot didn’t have any mother. His father didn’t married, thank God.’
The Americans were crawling all