Mexican Gothic - Silvia Moreno-Garcia Page 0,5

Noemí, after having agreed to the venture, that she knew very little of the place where she was going and the people she would meet. This was no cruise or pleasure trip. But she quickly assured herself that Father had picked her for this mission, and accomplish it she would. Flighty? Bah. She’d show Father the dedication he wanted from her. Perhaps he’d come to see her, after her success—for she could never picture herself failing—as more deserving and mature.

2

When Noemí was a little girl and Catalina read fairy tales to her, she used to mention “the forest,” that place where Hansel and Gretel tossed their breadcrumbs or Little Red Riding Hood met a wolf. Growing up in a large city, it did not occur to Noemí until much later that forests were real places, which could be found in an atlas. Her family vacationed in Veracruz, in her grandmother’s house by the sea, with no tall trees in sight. Even after she grew up, the forest remained in her mind a picture glimpsed in a storybook by a child, with charcoal outlines and bright splashes of color in the middle.

It took her a while, therefore, to realize that she was headed into a forest, for El Triunfo was perched on the side of a steep mountain carpeted with colorful wildflowers and covered thickly with pines and oaks. Noemí sighted sheep milling around and goats braving sheer rock walls. Silver had given the region its riches, but tallow from these animals had helped illuminate the mines, and they were plentiful. It was all very pretty.

The higher the train moved and the closer it got to El Triunfo, though, the more the bucolic landscape changed and Noemí reassessed her idea of it. Deep ravines cut the land, and rugged ridges loomed outside the window. What had been charming rivulets turned into strong, gushing rivers, which spelled doom should anyone be dragged by their currents. At the bottom of the mountains farmers tended groves and fields of alfalfa, but there were no such crops here, just the goats climbing up and down rocks. The land kept its riches in the dark, sprouting no trees with fruit.

The air grew thin as the train struggled up the mountain until it stuttered and stopped.

Noemí grabbed her suitcases. She’d brought two of them and had been tempted to also pack her favorite trunk, though in the end she had judged it too cumbersome. Despite this concession, the suitcases were large and heavy.

The train station was not busy and was barely a station at all, just a lonesome square-shaped building with a half-asleep woman behind the ticket counter. Three little boys were chasing one another around the station, playing tag, and she offered them some coins if they helped her lug her suitcases outside. They did, gladly. They looked underfed, and she wondered how the town’s inhabitants got by now the mine was closed and only the goats provided the opportunity for a bit of commerce.

Noemí was prepared for the chill of the mountain. The unexpected element was therefore the thin fog that greeted her that afternoon. She looked at it curiously as she adjusted her teal calotte hat with the long yellow feather and peered onto the street looking at her ride, for there could hardly be any mistaking it. It was the single automobile parked in front of the station, a preposterously large vehicle that made her think of swanky silent film stars of two or three decades earlier—the kind of automobile her father might have driven in his youth to flaunt his wealth.

But the vehicle in front of her was dated, dirty, and it needed a paint job. Therefore it was not truly the kind of automobile a movie star would drive these days, but seemed to be a relic that had been haphazardly dusted off and dragged onto the street.

She thought the driver might match the car and expected to find an elderly man behind the wheel, but a young fellow of about her age in a corduroy jacket stepped out. He was fair-haired and pale—she didn’t realize anyone could be that pale; goodness, did he ever wander into the sun?—his eyes uncertain, his mouth straining to form a smile or a greeting.

Noemí paid the boys who had helped bring her luggage out, then marched forward and extended her hand.

“I am Noemí Taboada. Has Mr. Doyle sent you?” she asked.

“Yes, Uncle Howard said to pick you up,” he replied, shaking her

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