Man in the Middle - By Brian Haig Page 0,90

we were now traveling, the streets were narrow to the point of claustrophobic, grubbier; in fact, squalid. The buildings and homes were packed closely together, and nowhere did I see trees, grass, or shrubbery, which shows that Iraqi homeowners have more sense than Americans--except for the people, nothing here needs to be watered, fertilized, or manicured.

Speaking of fertilizer, what really got my attention was the smell. The city's sewage system obviously wasn't back up to speed, and this was a windy fall day. I couldn't imagine the effect on a breezeless summer afternoon. Were I in charge of this occupation I would worry about people's innate tendency toward mental association; the Americans are here and it smells like shit.

Also there was a fair amount of pedestrian and street traffic, small trucks laden with goods and vegetables, and various models of Japanese and European cars, most of which looked old, though it's difficult to judge in a part of the world where sun and sand prematurely age paint jobs, and people. We began slowing down and after a few moments, I asked Smith, "Where are you taking me?"

He pointed his finger toward a home at the end of the street, a narrow, one-level house, squat in shape, tan or dirty white in color, constructed of concrete and stucco, with bars on the windows, an orange-tiled roof, and an oversize satellite dish, like a big wart sticking off the side. In the States this would be called a Mediterranean ranch, as would the surrounding homes, which were identical in size and architectural style. The Achmeds had no trouble keeping up with the Bashirs on this block. Usually this is a source of domestic harmony, though apparently not. He explained, "It's a safe house."

A moment later he pulled up to a two-car garage whose double door had been conveniently left open. I deduced from this that our arrival was expected. A squat, ugly, lime green 1980ish Peugeot with Iraqi plates was parked to the right.

I knew that few Iraqi homes have attached garages at all, and a two-car is a very rare indulgence; probably this feature weighed heavily when this house was chosen. Regardless, a military humvee is monstrously wide, and it took Smith a few careful attempts to maneuver it inside the garage without peeling the side off the Peugeot. He parked, turned off the engine, and said, "Get out."

I did, while he bolted behind the car and quickly pulled shut the garage door. He next walked to the Peugeot, opened the rear door, withdrew an armful of clothing, and began separating them.

He withdrew a black chador--a veil--and an abaya--a long, baggy woman's black robe--and tossed them at me.

Without further ado, Smith began stripping off his American Army uniform and then slipped into black jeans, dark sweatshirt, and worn Adidas sneakers. With his jet-black hair and dusky complexion, as he was now dressed, he passed for an Arab. I held up the dress and examined it more closely.

He noted, "For one thing it covers your all-American good looks. For another . . . You speak Arabic?"

I shook my head.

"Well, there you have it. Nobody talks to women 'round here less they're hitched."

Obviously these people had thought this thing through. Carl Smith struck me as competent, meticulous, and well attuned to the local culture; how I struck him was another story.

I pulled the abaya over my head and tried to figure out how to put on the chador. Eventually, Smith grew impatient with my fumbling and reached over, saying, "Like this." He made a few deft adjustments and then tapped my shoulder. "Remember how to do that."

While he placed my duffel and legal briefcase in the car trunk, I regarded myself in the Peugeot's side mirror. Smith could pass for a native, as I said; the problem was me, and even the veil didn't fully hide my whitebread looks. But at least an observer would have to be close to pick up on my blue eyes and untrimmed eyebrows, and if they got that close, probably the jig was up anyway.

He slipped an earphone into his ear, from which extruded a mouthpiece, and spent a moment adjusting a few knobs. He said into the microphone, "Smith here. Ready to roll." I had not a clue whom he was speaking with, though the lack of verbal foreplay suggested the call was expected, and further, that we were under the eye of somebody. He listened for a moment, "Uh-huh . . . okay. Yeah, I'll

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