Magnificence A Novel - By Lydia Millet Page 0,53

asked.

“Of course, of course,” said Susan to Vera, apologetic. “Hello. Susan. And this is Jim. He also works with T.”

“A criminal, like my son,” said Angela smoothly. She turned to a small wine rack with flourishes of grape leaves and began looking at bottles distractedly.

“I’m sorry?” said Jim.

“It’s one of those days,” said Vera, rolling her eyes.

Her English had improved, thought Susan, since she first started with Angela.

“Yes, my son is a criminal,” said Angela, with a measure of pride. “A criminal mastermind. Would you like white? Or red?”

“Oh, whatever you’re having,” said Susan quickly, and stole a sidelong glance at Jim. He was gazing at Angela and grinning faintly.

“Look,” said Angela, smiling delightedly, and lifted one of the bottles by the neck. “A Zinfandel. A Zinfandel is cheap and stinks like shit.”

“Oh!” said Susan. “Yes?”

“I never heard that said,” said Jim.

A look of sadness crossed Angela’s face and she shrugged regretfully. “I love it very much,” she said.

She turned her back, wine in hand. They followed her into the kitchen, where Vera handed them a tray with olives and pickles on it. Jim took a pickle.

“Often they blame it on the parents,” went on Angela, as she rummaged in a drawer. They stood back, spearing olives and biding their time. “The worst criminals are often caused by neglect. There was a television show . . .”

“Oh, but not in T.’s case,” said Susan.

“I’m sure, not with him,” agreed Jim.

“Really?” asked Angela. “But you’re a criminal too, aren’t you?”

“Some would say,” agreed Jim gravely, and inclined his head.

“I’ve heard of those,” mused Angela. “A criminal lawyer.”

They stood beside each other and watched as she struggled to open the bottle—“May I?” asked Jim—but Vera was already taking over.

“You would know better than I would,” said Angela, and turned from Vera to take a dish towel out of a drawer. It was cheerfully patterned with strawberries; she swabbed it up and down her arms as though cleaning or drying them. “So you tell me. Did they neglect you too? Was that why you did it?”

“I wouldn’t say they did,” said Jim. “No, I really can’t complain. My parents were pretty nice to me.”

“The Zinfandel,” said Angela, and proffered two glasses.

They sipped expectantly, waiting for the next remark. But instead she ceased to perform, and for the next half hour was gracious and comprehensible. She made tactful and sympathetic remarks about Hal’s death; she knew what T. was working on, discussed the mission statement for his new foundation; she understood that Jim was a lawyer for nonprofits and remembered that he had met T. at an alumni party for their college fraternity.

Frat boys, both of them, realized Susan with vague astonishment. In her youth she would never have gone near one.

They walked away slowly, afterward, in a mild daze.

“I like her,” said Jim.

The architect came to the house a week later, a tall, thin man with glasses and a prominent nose—more or less an architect cliché, as far as Susan could tell. Together they toured the grounds. He studied the building from various angles and then accepted a cup of coffee and went inside with her to examine the interior features. He said he was hopeful the house would be granted state historic status and she felt a surge of confidence: now, even if Steven and Tommy somehow won their suit, she had an ace in the hole. Not that she had the money to pay them off without selling the house anyway, in the event that the decision went against her, but she would cross that bridge . . . she would rather lose all the money she had than sacrifice the house.

When she walked him out to his car he popped the trunk and brought out a long yellowing roll. “The 1924 drawings,” he said. “You can keep them. We’ve made a copy to put back in the archives. Technically we don’t need to keep even the copies this long, but since the file’s been reactivated . . .”

“Thank you,” she said, rolling the thin rubber bands up and down on the tube.

He got in his car, and she stepped back as he started it up. Then he put it into reverse and rolled the window down. “Hey, if I come out again you’ll have to show me the basement,” he said. “On the plan it has a surprisingly large footprint.”

“What basement?” she asked, but he had already backed up out of earshot with a light wave.

At the kitchen table, beneath

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