them and the others. This did away with whatever awkwardness Marian and I might have felt about our new arrangement.
In fact, it was wonderful in the hotel. It was like being on a foreign holiday in one’s own place, being an exotic in one’s own place. Living the life of bar and dining room and bedroom, and foreign languages, just a few miles from my father’s cottage house and overgrown garden, which had for so long been for me a place of gloom, of tarnished ceilings and walls and foolish little pictures blurred below grimy glass, a place of a life lived out and now without possibility, steeped in my father’s unassuageable rages against people I had known only in his stories, never in the flesh.
I had been anxious all week about meeting Marian again. Almost as anxious as about our first meeting. I got to the hotel early. And I sat in the low-ceilinged lounge (“a wealth of exposed beams,” as the hotel brochure promised), and looked across the old market square to where, hidden round a corner, both the taxi rank and the bus station were. She was splendid when she appeared. It was the word that came to me. She was in pale primrose trousers, with the waist high up, so that her legs seemed very long. The flare on the trousers made them overwhelming. Her walk was brisk and athletic. I doubted that I had the capacity to deal with this splendour. But then it came to me, as I watched her stride towards the hotel, that the trousers were new, specially bought for this occasion. There was something like an ironing mark or a fold mark across the middle. It would have come from the shop: a garment folded and wrapped in tissue and placed in a box or a bag. I was very moved by this evidence of her care and preparation. It gave me a little comfort. At the same time it made me feel unworthy, wondering about the challenges ahead. So I was perhaps in a greater state of nerves than at the beginning.
There is no tragedy like that of the bedroom: I believe Tolstoy said that to a friend. No one knows what he meant. The recurring shameful need? Failure? Poor performance? Rejection? Silent condemnation? It was very much like that with me later that evening. I thought I had infected Marian with my feeling of the luxuriousness of the hotel in the market square, the strange feeling it gave, with all the foreign staff, of being somewhere abroad. The wine at dinner had strengthened that feeling, I thought. But her dark, distant mood returned at bedtime. It might have been another person who had accepted the opal piece and been pleased by it.
She undressed and offered herself, and then later exposed herself as before, the sunken exercised waist, the lovely high hip, the dark openness, showing me the hair in her armpits. This time I was better provided to do what she clearly wanted me to do.
But I never knew whether I was pleasing her. I thought that I must be, but she never let on. Perhaps she was acting; perhaps it was her style; perhaps it was something she had got from one of her too boastful friends; perhaps it was something that had been forced on her by her rough childhood on the estate, a little remnant of natural modesty, a way of dealing with that life.
And that—since the mind can deal with many things at the same time—was how I reasoned with myself while I was quite shaken with desire, hardly believing in what was being offered me, wishing at the same time to seize it all.
Later, when I had grown more into this fearful, undermining discovery of the senses, I would understand that in these early days I had not done very well. It would have destroyed me if I had known. But at the time, in the bedroom of the hotel, I didn’t know.
Midway through the evening she said, “I see you’ve come with your belt. Do you want to beat me?”
I had some idea what she meant. But it was too far away from me. I said nothing.
She said, “Use the belt. Don’t use anything else.”
When we had done with that she said, “Is my bottom black and blue?”
It wasn’t. Many weeks later that would be true, but not then.