Love Lies - By Adele Parks Page 0,10

blood. Even when I was nowhere near the fuckin’ shop I smelt of blood. The bloke I worked for was an arse. I had to wear green nylon trousers and a green checked dickie bow. There was no amity or fun. Nan thought being a butcher was a good trade: ‘You never see a skinny butcher.’ (Yeah, but who wants to be fat?) She thought I should suck up to the arse that was my boss so he’d take me on full-time after my GCSEs. Mum didn’t disagree, she didn’t have the energy. It was like we were living in a different century to everyone else by growing up in the north in the late 70s and early 80s. It was made clear to me that I was starting at the bottom and that was where everyone expected me to stay. No one believed I’d be anything. A lack of belief can break your heart; it breaks your soul. If you let it.

But I do believe in myself, except when I don’t. I do when I’m up there on stage and women are flinging their bras and morals at me. Then I know I’m a god. Trick is, not to think too carefully about exactly what sort of god I might be because then you stop believing in yourself and it’s possible you might drown in your own vomit (the default end for a rock star).

When I think back about how I got here, I am not surprised. People say, ‘A lad from Hull, here with all of this! Who’d have thought?’ They say that all the time and they are surprised. But I tell you who’d have thought. I’d have thought. The wall-to-wall open legs, the millions in the bank, the swimming-pool that I could fill with champagne if I wanted to, this is my proper place in life. The two-up-two-down terrace in Hull was the mistake; that was the angels’ clerical error. I should never have been dropped off there among all that disappointment. In our house there were just two states of existence, both underpinned by a solid sense of disappointment (my mother’s – never too happy to be married, heartbroken after my father pissed off). The two states of existence were basically TV On, TV Off.

TV On was the dominant state; it ran from about 7 a.m. all the way through to 1 a.m. the next day (and the next and the next). The thin curtains would be pulled across the window, shunning the bright daylight in the summer and offering no protection against the dreary black elements in the autumn and winter. The TV droned or blared and my family sprawled in front of it. My nan, small, neat and industrious, usually knitting booties for young girls on our estate that had come undone. The girls were never grateful for the old-fashioned booties, preferring Mothercare’s finest, purchased with government clothing vouchers. My brother and me sprawled in front of the TV; legs getting longer, tempers getting shorter with every passing year. My mum rarely put her feet up but when she did, she liked the TV on for a bit of company. Because we all lived too close to each other and yet miles away.

The house wasn’t aired enough. We didn’t open windows. It always smelt. It smelt of the dog, the chip pan, of farts and sweat. Different types of sweat: my mother’s honestly earned and nervous, me and my brothers’ fetid and hormonal, my nan’s perfumed with lavender. But the smell I hate remembering most of all, out of all those foul stenches, is the smell of alpine air fresheners. That smell epitomizes my mum’s desperate, pointless grasp at middle-class respectability and it depresses me. Really depresses me.

The TV was only ever off for a few short hours, after me and my brother had finally slunk off to our rooms, ostensibly to catch a few zeds. The silence started to hum. I didn’t sleep at night. I dreamt. Dreaming is what most empty and confused teenagers do. The difference being, dreaming is all that most of them do. Changing dreams into ambition, that’s what sorts the men from the boys. It was in those short, quiet hours when the TV was not blaring that I made my plans to be great. I wrote songs and practised on my guitar and swore to myself that I’d do anything, anything at all, to get to where I knew I should be. I’d work hard, I’d

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