Light on Lucrezia - By Plaidy, Jean Page 0,161
much time on these frivolities that Friar Raffaela da Varese, a strict priest of the Court, began preaching sermons against the wickedness of feminine vanity, and even condemned the use of cosmetics.
Lucrezia and her ladies pretended to listen to him gravely, but they ignored his warnings of hell-fire. There was gaiety in the little apartments of the balcony; and always at the side of Lucrezia was the lame poet, Ercole Strozzi.
Alfonso disliked him; he had no use for poets and, since he had ruled in his father’s place, life had gone less smoothly for Strozzi. Certain lands which had been bestowed on him by Duke Ercole had been reclaimed by Alfonso. Strozzi could have forgiven him that, but what angered him was Alfonso’s attitude toward his literary work.
Alfonso would laugh slyly when poetry was read, and there were many in the court who were ready to follow the example of the Duke.
Moreover Strozzi was a great friend of Francesco Gonzaga, and Francesco and Alfonso had never been fond of each other; now that Francesco desired Alfonso’s wife they were less likely to be so.
The proprietary attitude which Strozzi had assumed over Lucrezia, during the affair with Pietro Bembo, persisted. There was a strong bond between Strozzi and Lucrezia which neither of them understood. There was deep affection, although there had never been any suggestion of their being lovers.
Strozzi was now entirely devoted to the beautiful Barbara Torelli whom Lucrezia, when she had heard her sad story, had taken under her protection.
Strozzi was an artist; he longed to create, and because he felt a certain inadequacy in his poetry he wished to use his creative ability to mold the lives of the people he loved.
Barbara Torelli had appealed to his pity, for hers had been a very tragic story. She had been married to Ercole, one of the Bentivoglios of Bologna, the lowest sort of sensualist, in whom Barbara’s cultured manners inspired a great desire to humiliate her. He had therefore set about making her life as miserable as he possibly could and his greatest pleasure was in devising means of insulting her. There came a time when he invited a Bishop to his home and offered to rent Barbara to him for a period, for the sum of 1,000 ducats. Barbara refused to agree to the transaction; whereupon her husband told her that if she did not he would publicly accuse her of attempting to poison him. Barbara’s reply to that was to leave him. She found refuge in Mantua and stayed in a convent under the protection of Francesco Gonzaga.
It was Francesco who had made her story known, and although he could not induce Ercole Bentivoglio to return her dowry, a great deal of sympathy was aroused for Barbara.
The poetic Strozzi was deeply moved by her story; he sought her acquaintance, and her charm and dignity in adversity so moved him that he fell deeply in love with and married her. As for Barbara, she found this second Ercole such a contrast to the first that she began to return his affection, and the passionate and tender love between Ercole Strozzi and Barbara Torelli became an inspiration for many of the poets of the day.
Lucrezia had been equally moved by Barbara’s story and Strozzi’s devotion to her, and it seemed the most natural thing in the world that she should offer her protection to Barbara. So Barbara was a frequent member of Lucrezia’s circle, and Strozzi yearned to repay her and Francesco for all they had done for Barbara while at the same time he sought vengeance on Alfonso, who had not only deprived him of his property but was so uncouth that he could not appreciate his poetry.
Thus, when Francesco came to Ferrara once more, Strozzi determined to use all his ingenuity so that the lovers might meet in the intimacy they desired.
Lucrezia’s love affair with the attractive soldier blossomed under Strozzi’s care, and there were meetings between the lovers while Strozzi, Barbara and those few intimate and trusted friends made the necessary cover.
During those weeks Lucrezia began to love Francesco with the strength which came with maturity. Francesco declared his one desire was to make her happy; she believed him; and so those idyllic weeks passed.
It was night, and Cesare with his army was encamped about the Castle of Viana.
A terrible melancholy came to him as he went to the door of his tent and looked out at the starry sky. There was a knowledge within him