The Lies of Locke Lamora - By Scott Lynch Page 0,91
you off this roof with lead ingots tied around your neck.”
Calo and Galdo stared at Locke once again.
“Short leash. Right. But don’t worry,” said Locke. “I’m not as reckless as I was. You know, when I was little.”
2
THE NEXT day, Locke walked the length of the Temple District on his own for the very first time, hooded in a clean white robe of Perelandro’s order with silver embroidery on the sleeves, waist-high to virtually everyone around him. He was astonished at the courtesy given to the robe (a courtesy, he clearly understood, that in many cases only partially devolved on the poor fool wearing the robe).
Most Camorri regarded the Order of Perelandro with a mixture of cynicism and guilty pity. The unabashed charity of the god and his priesthood just didn’t speak to the rough heart of the city’s character. Yet the reputation of Father Chains as a colorful freak of piety paid certain dividends. Men who surely joked about the simpering of the Beggar God’s white-robed priests with their friends nonetheless threw coins into Chains’ kettle, eyes averted, when they passed his temple. It turned out they also let a little robed initiate pass on the street without harassment; groups parted fluidly and merchants nodded almost politely as Locke went on his way.
For the first time, he learned what a powerful thrill it was to go about in public in an effective disguise.
The sun was creeping upward toward noon; the crowds were thick and the city was alive with the echoes and murmurs of its masses. Locke padded intently to the southwest corner of the Temple District, where a glass catbridge arched across the canal to the island of the Old Citadel.
Catbridges were another legacy of the Eldren who’d ruled before the coming of men: narrow glass arches no wider than an ordinary man’s hips, arranged in pairs over most of Camorr’s canals and at several places along the Angevine River. Although they looked smooth, their glimmering surfaces were as rough as shark’s-hide leather; for those with a reasonable measure of agility and confidence, they provided the only convenient means of crossing water at many points. Traffic was always one-directional over each catbridge; ducal decree clearly stated that anyone going the wrong direction could be shoved off by those with the right-of-way.
As he scuttled across this bridge, pondering furiously, Locke recalled some of the history lessons Chains had drilled into him. The Old Citadel district had once been the home of the dukes of Camorr, centuries earlier, when all the city-states claimed by the Therin people had knelt to a single throne in the imperial city of Therim Pel. That line of Camorri nobility, in superstitious dread of the perfectly good glass towers left behind by the Eldren, had erected a massive stone palace in the heart of southern Camorr.
When one of Nicovante’s great-great-predecessors (on finer points of city lore such as this, Locke’s undeniably prodigious knowledge dissolved in a haze of total indifference) took up residence in the silver glass tower called Raven’s Reach, the old family fortress had become the Palace of Patience; the heart of Camorr’s municipal justice, such as it was. The yellowjackets and their officers were headquartered there, as were the duke’s magistrates—twelve men and women who presided over their cases in scarlet robes and velvet masks, their true identities never to be revealed to the general public. Each was named for one of the months of the year—Justice Parthis, Justice Festal, Justice Aurim, and so forth—though each one passed judgment year-round.
And there were dungeons, and there were the gallows on the Black Bridge that led to the Palace gates, and there were other things. While the Secret Peace had greatly reduced the number of people who took the short, sharp drop off the Black Bridge (and didn’t Duke Nicovante love to publicly pin that on his own magnanimity), the duke’s servants had devised other punishments that were spectacular in their cruel cleverness, if technically nonlethal.
The Palace was a great square heap of pitted black and gray stone, ten stories high; the huge bricks that formed its walls had been arranged into simple mosaics that had now weathered to a ghostly state. The rows of high arched windows that decorated every other level of the tower were stained glass, with black and red designs predominating. At night a light would burn ominously behind each one, dim red eyes in the darkness, staring out in all directions. Those windows were never dark; the intended message