energy M.C. Hammer did when he had a job, sounded like TLC with a NWA edge and did an edgy song of possessiveness of a lover. They set the room on fire with a catchy melody that praised sex, retribution, violence, pretty much everything wrapped in one tune.
Gerri was on wearing out the carpet, hands up high, pumping it up and grooving. At thirty-six she danced better, had more choreography than most of the girls in the rap group.
Dana smiled, bebopped where she stood, shoulders bouncing to the beat.
I spoke up over the music, asked her, “Wanna dance?”
“About time. I was wondering when you were gonna ask me.”
She took my hand, anxiously led me through the heat. We had to settle for the carpet; the floor was only big enough for about ten people. It was awkward because the carpet was worn, held stains that made the fabric sticky to my shoes.
That stylish native New Yorker had wicked rhythm. She adapted to the carpet, turned up the volume on her rhythm, moved so good that other men tried to sneak a peek and women tried to mock her style.
After Dangerous Lyrics finished two records, the room applauded loud enough for the girls to O.D. on their egos, then the group went to another room. Gerri and Jefferson were between the fireplace and the exit sign in the back, slow dancing, laughing, talking nonstop, her southern grin gazing up at that roan-colored statue with dreamy eyes. Dana turned down my offer to slow dance, didn’t let me get that close. The music changed.
Then Gerri vanished with the spring to her summer.
Dana said, “Gotta go potty.”
“I’ll be right here.”
I headed for the narrow hallway between the front of the club and the back, where the loud music from the front collided with the loud music in the back, canceling each other out. The girls from the group came out of the bathroom. Somebody sounded upset, like she was holding back tears with every pissed-off word: “I don’t believe that fucker brought us down here, then was all over that old-ass bitch, dumped me like I ain’t shit.”
“Why you tripping, Butter? He ain’t your man. He set your ass straight down in Atlanta. Stop playing up on him and quit tripping.”
“I ain’t trippin’. He the one trippin’.”
“Well, you need to think about the group. Like he told you, this is business. That other stuff you running off at the mouth about ain’t—”
They felt me listening. Ten eyes snapped my way at the same time. Butter stepped out, gave me a cold what-the-fuck-you-looking-at expression before she stormed away. Her girls followed their leader.
As soon as Dana came out of the bathroom, she said she was ready to raise up out of here, so I escorted her out to her car. We talked and headed beyond the Brenda’s Talk of the Town and the Chinese dry cleaners, strolled down on the far side of Ralph’s grocery store. Dana stopped in front of a dark-colored Infiniti Q45. Her ride was ten years old.
She looked disturbed. “Full moon.”
“Full moons means romantic.”
She shook her head, her mood changing, becoming dark and distant. “Drama. A full moon is a flashlight so everybody can see your drama.”
I opened her door, peeped inside before I let her get in. No child seat, no sign of those cheap throwaway toys that come inside a Happy Meal. No man’s belongings. No leftover cologne scent.
Dana kept the door between us, that subtle yet straightforward move a woman does when she’s letting a man know that she ain’t in it for the kissing. Her lips, full and dark with color. All evening, every time they opened and closed, my mouth watered. She tossed her purse over to the passenger seat; it turned over and some of the woman stuff she had inside spilled across the seat.
Makeup. Pager. Checkbook. A coal black stun gun.
That caught my eye.
She followed my eyes to the stun gun and said, “I was mugged on the subway.”
“Mugged?”
“Got jacked for my little old purse. Damn near fell in front of a freakin’ subway train and got run over.” She cleared her throat like she was trying to cough the memory out of her system, then picked up her urban assault weapon, let it rest in her lap, in ready position. “I was almost run over by a train, but this guy caught me before I fell.”
“Good thing he caught you.”
Her tone turned flat. “Good thing, yeah. Bad thing too.”