I stared at the last teenager. He was crumpled on his right side. Blood had pooled under him. He was so cut up that at first my eyes didn't want to make sense of what I was seeing. I wanted to look away before my brain caught up to my eyes, but I didn't.
Where the face should have been was just a ripped, gapping hole. The creature had done the same thing to this one as to the blond, but it had been more thorough. The front of the skull had been ripped away. I glanced around, searching the leaves for the piece of bone and flesh, but didn't see it. I had to look back then, at the body. I knew what I was looking at now. I liked it better when I didn't.
The back of the skull was full of blood and gore, like a gruesome cup, but the brain was gone. The blade had sliced him open across the chest and stomach. His intestines spilled out in a thick, rubbery mass. What I thought was his stomach had spilled out from the wound like a balloon half-inflated. The left leg had been chopped off at the hip joint. The ragged cloth of his jeans clung to the hole like the petals of an unopened flower. The left arm had been ripped out just below the elbow. The bone of the humerus was dark with dried blood, sticking up at an odd angle as if the entire arm had been broken at the shoulder and no longer moved. More violent. Had this one struggled a little?
My eyes flicked back to his face. I didn't want to look again, but I hadn't really examined it. There was something horribly personal about disfiguring a person's face. If it had been humanly possible to do all this, I'd have said check their nearest and dearest. As a general rule, only people who love you will cut up your face. It implies passion that you can't get from strangers. One exception is serial killers. They're working through a pathology in which the victims can represent someone else. Someone that the killer has a personal passion for. When cutting up the faces of strangers they'd be symbolically cutting up, say, a hated father figure.
The fine bones of the boy's sinus cavities had been cracked open. The maxillary was gone, making the face look incomplete. Part of the mandible was still there, but it had been cracked apart back to the rear molars. Some trick of blood flow had left two teeth white and clean. One of the teeth had a filling in it. I stared at that ruined face. I'd been doing pretty good at thinking of it as so much meat, just dead meat. But dead meat didn't get cavities, didn't go to dentists. It was suddenly a teenager, or maybe even younger. I was only judging on height and the apparent age of the other two. Maybe this one with no face was a child, a tall child. A little boy.
The spring afternoon wavered around me. I took a deep breath to steady myself, and it was a mistake. I got a big whiff of bowels and stale death. I scrambled for the side of the hollow. Never throw up on the murder victims. Pisses off the cops.
I fell to my knees at the top of the small rise where all the cops were gathered. I hadn't exactly fallen so much as thrown myself down. I took deep, cleansing breaths of the cool air. It helped. A small breeze was blowing up here, thinning out the smell of death. It helped more.
Cops of all shapes and sizes were huddled at the top of the rise. Nobody was spending more time than they had to down among the dead. There were ambulances waiting on the distant road, but everybody else had had their piece of the bodies. They had been videotaped and trooped through with the crime scene technicians. Everybody had done their job, except me.
"Are you going to be sick, Ms. Blake?" The voice was that of Sergeant Freemont, Division of Drug and Crime Control, DD/CC--affectionately known as D2C2. Her tone was gentle but disapproving. I understood the tone. We were the only two women at the crime scene, which meant we were playing with the big boys. You had to be tougher than the men, stronger, better, or they held it against you. Or they treated you like a girl. I was betting Sergeant Freemont hadn't gotten sick. She wouldn't have allowed it.
I took another cleansing breath and let it out. I looked up at her. From my knees she looked every inch of her five-foot-eight. Her hair was straight, dark, cut just below her chin. The ends were curled under to frame her face. Her pants were a bright sunny yellow, jacket black, blouse a softer yellow. I had a good view of her polished black loafers. There was a gold wedding band on her left hand, but no engagement ring. Deep smile lines put her on the far side of forty, but she wasn't smiling now.
I swallowed once more, trying not to taste that smell on the back of my tongue. I got to my feet. "No, Sergeant Freemont, I'm not going to be sick." I was glad that it was true. I just hoped she didn't make me go back down into the hollow. I'd toss my cookies if I had to look at the bodies again.
"What did that?" she asked. I didn't turn and look where she pointed. I knew what was down there.
I shrugged. "I don't know."
Her brown eyes were neutral and unreadable, good cop eyes. She frowned. "What do you mean, you don't know? You're supposed to be the monster expert."
I let the "supposed to be" go. She hadn't called me a zombie queen to my face; in fact she'd been very polite, correct, but there was no warmth to it. She wasn't impressed, and in her quiet way, with a look or the slightest inflection, she let me know. I was going to have to pull a very big corpse out of my hat to impress Sergeant Freemont, DD/CC. So far I wasn't even close.
Larry walked up to us. His face was the color of yellow-green tissue paper. It clashed with his red hair. His eyes were red-rimmed where his eyes had teared while he threw up. If it's violent enough, sometimes you cry while you vomit.
I didn't ask Larry if he was okay; the answer was too obvious. But he was on his feet, ambulatory. If he didn't faint, he'd be fine.
"What do you want from me, Sergeant?" I asked. I'd been more than patient. For me, I'd been downright conciliatory. Dolph would be proud. Bert would have been amazed.
She crossed her arms over her stomach. "I let Sergeant Storr talk me into letting you see the crime scene. He said you were the best. According to the newspapers, you just do a little magic and figure it all out. Or maybe you can just raise the dead and ask them who killed them."
I took a deep breath and let it out. I didn't use magic to solve crimes, as a general rule; I used knowledge, but saying so would be defending myself. I didn't need to prove anything to Freemont. "Don't believe everything you read in the papers, Sergeant Freemont. As for raising the dead, it won't work with these three."
"Are you telling me you can't raise zombies, either?" She shook her head. "If you can't help us then go home, Ms. Blake."
I glanced at Larry. He gave a small shrug. He still looked shaky. I don't think he had the energy yet to tell me to behave myself. Or maybe he was as tired of Freemont as I was.
"I could raise them as zombies, Sergeant, but you have to have a mouth and a working throat to talk with."
"They could write it down," Freemont said.
It was a good suggestion. It made me think better of her. If she was a good cop, I could put up with a little hostility. As long as I never had to see another set of bodies like the ones below, I could put up with a lot of hostility.
"Maybe, but the dead often lose higher brain function faster after a traumatic death. They might not be able to write, but even if they could, they might not know what killed them."
"But they saw it," Larry said. His voice sounded hoarse, and he coughed gently behind his hand to clear it.
"None of them tried to run away, Larry. Why?"
"Why are you asking him?" Freemont said.
"He's in training," I said.