taking in stray cats, and talking to them, and going round the block to find them and feed them, until the neighbors complained. She’d been too old by the time she married; and to be left with those two girls!
Were we the powerful witches, those of us who bore the mark of the sixth finger? What about Mona with her red hair?
As the years passed the great Mayfair legacy had gone to Stella and then to Antha and then to Deirdre…
All of them lost, who had lived in the times of shadows. Even the bright blaze of Stella pinched out, like that!
“But there will come another time. A time of battle and catastrophe.” That Julien had promised her the last night she had really spoken with him. “That’s the meaning of your poem, Evelyn. I shall try to be here.”
The music whined and thumped. He was always playing it.
“You see, Chérie, I have a secret about him and music. He cannot hear us so well when we play music. It’s an old secret, my grandmère Marie Claudette told me herself.
“The evil daemon is actually drawn to the music. Music can distract him. He can hear music when he can hear nothing else. Rhythm and rhyme can also entrap him. All ghosts find such things irresistible, as they do visible patterns. In their gloom, they pine for order, for symmetry. I use the music to draw him and confuse him. Mary Beth knows this too. Why do you think there are music boxes in every room? Why do you think she loves her many Victrolas? They give her privacy from this being, which she would have now and then, just as anyone would.
“And when I am gone, child, play the Victrola. Play it and think of me. Perhaps I can hear it, perhaps I can come to you, perhaps the waltz will penetrate the darkness, and bring me back to myself and to you.”
“Julien, why do you call him evil? They always said at home that the spirit in this house was yours to command. Tobias said it to Walker. They said it to me when they told me Cortland was my father. Lasher was the magic slave of Julien and Mary Beth, they said, which will grant their every wish.”
He’d shaken his head, talking under cover of a Neapolitan song. “He’s evil, mark my word, and the worst kind of evil, but he does not know it himself. Recite the poem again. Tell it to me.”
Ancient Evelyn had hated to say the poem. The poem came from her as if she were the Victrola and someone had touched her with an invisible needle, and out came the words, and she did not know what they meant. Words that frightened Julien, and had frightened his niece Carlotta beforehand, words that Julien said over and over again as the months passed.
How vigorous he had looked, his white curly hair still very thick, his eyes very clever and focused upon her. He’d never suffered the blindness and deafness of old age, had he? Was it his many loves that kept him young? Perhaps so. He’d laid his soft dry hand over hers, and kissed her cheek.
“Soon I shall die like everyone else, and there’s nothing I can do about it.”
Oh, that precious year, those precious few months.
And to think of him coming to her, young in that vision. That she’d heard his voice all the way up at her window. And there he’d stood in the rain, all chipper and handsome and beaming at her as he held the bridle of his horse. “Au revoir, ma Chérie.”
Afterwards little visions of him came so fast they were like the pop of flashbulbs. Julien on the streetcar passing by. Julien in a car. Julien in the cemetery at Antha’s funeral. All make-believe perhaps. Why, she could have sworn she glimpsed him for one precious second at Stella’s funeral.
Is that why she’d spoken so to Carlotta, accusing her outright, as they stood together amongst the graves?
“It was the music, wasn’t it?” Evelyn had said, trembling as she made her verbal assault, fired with hatred and grief. “You had to have the music. When the band was playing loud and wild, Lionel could come up on Stella and shoot her with the gun. And ‘the man’ didn’t even know, did he? You used the music to distract ‘the man.’ You knew the trick. Julien told me the trick. You tricked ‘the man’ with music. You killed your