Lady Hotspur - Tessa Gratton Page 0,6

how kings die, she thought, again and again. Betrayed.

Betrayed.

This is how kings die.

Miraculously, Hotspur took Hal’s hand and gripped it tight.

And Prince Hal thought, Maybe I did not survive this war after all.

BANNA MORA

Lionis, late spring

BANNA MORA OF the March had been the heir to the throne of Aremoria for seven years. There’d been a ceremony the day after Rovassos King, her granduncle, asked her sweetly if she wished to try on the Blood and the Sea. She’d known what he meant, of course, for she’d been a ward of his crown since her parents died, and she paid good attention.

In the throne room, with seven lords and generals as witness, Banna Mora had sworn loyalty to the Blood and the Sea, to the earth of Aremoria and its people, and to Rovassos himself. She had promised to uphold the honor, courage, and wit of the Aremore kings who’d come before her. At fifteen, she naturally held Morimaros the Great at the fore of her thoughts when she made that vow, but so had she remembered the faces of her mother and father: the former a lady of the esteemed Errigal clan on Innis Lear, of direct royal descent, the latter the earl of the March whose family had held the Aremore border against Burgun for three generations before the annexation.

Always Mora had been proud that the blood of both countries rang in her pulse, despite her affiliation to the vibrant hills and plains of Aremoria over the strange, rocky crags of Innis Lear. The March was wet borderlands on the northwestern coast of Aremoria, curving along the northern border with Burgun, rife with streams and lush meadows, with plentiful game and damp peatland. Hers. And if she no longer could hold all of the country, Mora was determined at least not to lose the March.

Her jaw clenched and she leaned out over the rampart of this sleek tower: the second highest of Lionis Palace, on the eastern side where Mora could watch the conquering army approach. It swarmed over the plain outside the city, a distant rainbow of violet, red, green, orange, like a meadow of wildflowers bending in the wind.

And Lionis itself cried welcome.

From the blue-gray peaked roofs of the city to its winding limestone roads, up and down the bluffs that overlooked the Whiteglass River, flags and banners flew. Arched across streets and dangling from bridges were strings of colored paper in purple for Bolinbroke, vivid orange for Aremoria, and pristine white for the crown.

Mora wished she could have gone with Lady Ianta to drink away her dread. The Lady Knight had been Rovassos’s best friend for longer than Mora had been alive—both of them merry and good with people, neither of them any better than the other at ruling. Even Mora could admit Rovassos had been only a mediocre king. He’d lived too much for moments of pleasure and made quick promises instead of considering long-term alliances and consequences. He hadn’t been strong. But neither had he been a plague of a king, or deserved to die.

Mora didn’t deserve to die, either.

So while she wished to be drunk right now, and had also considered awaiting the arrival of Celedrix in the throne room or the People’s Courtyard for a show of pride, Mora remained here, watching. Here she was no threat, but neither did she hide. She would be found, escorted where Celedrix willed it, and she would submit—submit and plead her case.

All with this hard ring of betrayal cutting against the skin of her chest.

When the letter had come for Hal three weeks ago today, Hal had spun in a dance at the thrill of her mother’s handwriting, her mother’s summons. But Mora had understood what it meant. Because Rovassos had been away in Ispania, due back in seven days, the timing gave away Celeda’s true intention. She’d said nothing to Hal, and nothing to Ter Melia or Imena or any of the other Lady Knights about why Hal rushed out of the city. Instead Mora went into King Rovassos’s private rooms and opened the cubby hidden beneath an iron sconce in the bedchamber. From it she removed a small beechwood box carved with the simple lines of the Aremore crown. Inside, cradled in undyed silk, was a thick silver ring set with a moon-cut garnet and pearls.

The Blood and the Sea.

Rovassos always traveled with a copy, one pearl shy of this original, and lacking the etching on the inner wall of the silver: Aremorix.

It

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