The Invisible Life of Addie LaRue - V. E. Schwab Page 0,122

when Henry was still in love with him, and now it’s reversed, and Robbie’s going to have to find a way to move on, or at least, find a way to smooth in love into love, the way Henry had done when it was him.

“How long does it take to make popcorn?” shouts Bea.

A singed smell wafts from microwave, and Henry pushes past Robbie into the kitchen, hits the Stop button, pulls the bag out.

But he’s too late.

The popcorn is irretrievably burned.

New York City

November 14, 2013

XIV

Thank god Brooklyn has so many coffee shops.

Henry hasn’t been back into Roast, not since the Great Fire of 2013, as Robbie calls the whole Vanessa incident (with a little too much glee). He gets to the front of the line and orders a latte from a very nice guy named Patrick who is mercifully straight, who looks at him with cloudy eyes but only seems to see a perfect customer, someone friendly, and brief, and—

“Henry?”

His stomach drops. Because he knows that voice, high and sweet, knows the way it bends around his name, and it is that night again, and he is down on one knee like a fool as she says no.

You’re great. You really are. But you’re not …

He turns around, and there she is.

“Tabitha.”

Her hair has gotten a little longer, the bangs grown out into a sweep of blond across her forehead, a curl against her cheek, and she stands with the easy grace of a dancer between poses. Henry hasn’t seen her since that night, has managed, until now, to avoid her, to avoid this. And he wants to back away, to put as much distance between them as possible. But his legs refuse to move.

She smiles at him, bright and warm. He remembers being in love with that smile, back when it felt like a victory every time he earned a glimpse. Now she simply hands it to him, brown eyes shrouded in fog.

“I’ve missed you,” she says. “I’ve missed you so much.”

“I’ve missed you, too,” he says, because it is the truth. Two years of a life together, replaced by a life apart, and there will always be an empty space in the shape of her. “I had a box of your things,” he says, “but there was a fire.”

“Oh god.” She touches his arm. “Are you okay? Was anyone hurt?”

“No, no.” He shakes his head, thinking of Vanessa standing over the sink. “It was … contained.”

Tabitha sways into him. “Oh, good.”

Up close, she smells like lilacs. It took a week for that scent to fade from his sheets, another for it to vanish from the sofa cushions, the shower towels. She leans into him, and it would be so easy to lean back, to give in to the same dangerous gravity that drew him to Robbie, the familiar pull of something loved, and lost, and then returned.

But it isn’t real.

It isn’t real.

“Tabitha,” he says, guiding her back. “You ended things.”

“No.” She shakes her head. “I wasn’t ready to take the next step. But I never wanted it to end. I love you, Henry.”

And despite it all, he falters. Because he believes her. Or at least, he believes that she believes herself, and that is worse, because it still doesn’t make it real.

“Can’t we try again?” she asks.

Henry swallows, and shakes his head.

He wants to ask her what she sees, to understand the chasm between who he was and what she wanted. But he doesn’t ask.

Because in the end, it doesn’t matter.

The fog twists across her vision. And he knows that, whoever she sees, it isn’t him.

It never was.

It never will be.

So he lets her go.

New York City

March 18, 2014

XV

Henry and Addie offer up their rubber bands to the Artifact, sacrificing one color at a time.

For the purple band, they walk through puddles, inch-thick pools that ripple around their feet. Beneath the water, the ground is made of mirrors, shimmering, reflecting everyone and everything. Addie stares down at the ribbons of motion, the ripples fading, and if hers end a moment sooner than his, it is hard to say.

For the yellow, they are guided into soundproof cubes the size of closets, ones that amplify the noise, and others that seem to swallow every breath. It is a hall of mirrors, if the bending surfaces warped a voice instead of a reflection.

The first message tells them to WHISPER, the word stenciled on the wall in small, black type, and when Addie whispers “I have a secret,” the words bend

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