jumped like banshees until their mattresses erupted with geysers of goose feathers, and little Eliza, who had a habit of slipping into my bed to hide from the Booga’s nightly reign of terror.
Of course, I should’ve graduated from the nursery long ago, but I’d been forced to wait for John to go away to college. Our three-storied house was one of the grandest in Charleston, but it lacked enough bedrooms, considering how . . . well, fruitful Mother was. There were ten of us: John, Thomas, Mary, Frederick, and myself, followed by the nursery dwellers—Anna, Eliza, Ben, Henry, and baby Charles. I was the middle one, the one Mother called different and Father called remarkable, the one with the carroty hair and the freckles, whole constellations of them. My brothers had once traced Orion, the Dipper, and Ursa Major on my cheeks and forehead with charcoal, connecting the bright red specks, and I hadn’t minded—I’d been their whole sky for hours.
Everyone said I was Father’s favorite. I don’t know whether he preferred me or pitied me, but he was certainly my favorite. He was a judge on South Carolina’s highest court and at the top of the planter class, the group Charleston claimed as its elite. He’d fought with General Washington and been taken prisoner by the British. He was too modest to speak of these things—for that, he had Mother.
Her name was Mary, and there ends any resemblance to the mother of our Lord. She was descended from the first families of Charleston, that little company of Lords that King Charles had sent over to establish the city. She worked this into conversations so tirelessly we no longer made the time or effort to roll our eyes. Besides governing the house, a host of children, and fourteen slaves, she kept up a round of social and religious duties that would’ve worn out the queens and saints of Europe. When I was being forgiving, I said that my mother was simply exhausted. I suspected, though, she was simply mean.O
When Binah finished arranging my hair combs and ribbons on the lavish Hepplewhite atop my new dressing table, she turned to me, and I must have looked forsaken standing there because she clucked her tongue against the roof of her mouth and said, “Poor Miss Sarah.”
I did so despise the attachment of Poor to my name. Binah had been muttering Poor Miss Sarah like an incantation since I was four.
It’s my earliest memory: arranging my brother’s marbles into words. It is summer, and I am beneath the oak that stands in the back corner of the work yard. Thomas, ten, whom I love above all the others, has taught me nine words: SARAH, GIRL, BOY, GO, STOP, JUMP, RUN, UP, DOWN. He has written them on a parchment and given me a pouch of forty-eight glass marbles with which to spell them out, enough to shape two words at a time. I arrange the marbles in the dirt, copying Thomas’ inked words. Sarah Go. Boy Run. Girl Jump. I work as fast as I can. Binah will come soon looking for me.
It’s Mother, however, who descends the back steps into the yard. Binah and the other house slaves are clumped behind her, moving with cautious, synchronized steps as if they’re a single creature, a centipede crossing an unprotected space. I sense the shadow that hovers over them in the air, some devouring dread, and I crawl back into the green-black gloom of the tree.
The slaves stare at Mother’s back, which is straight and without give. She turns and admonishes them. “You are lagging. Quickly now, let us be done with this.”
As she speaks, an older slave, Rosetta, is dragged from the cow house, dragged by a man, a yard slave. She fights, clawing at his face. Mother watches, impassive.
He ties Rosetta’s hands to the corner column of the kitchen house porch. She looks over her shoulder and begs. Missus, please. Missus. Missus. Please. She begs even as the man lashes her with his whip.
Her dress is cotton, a pale yellow color. I stare transfixed as the back of it sprouts blood, blooms of red that open like petals. I cannot reconcile the savagery of the blows with the mellifluous way she keens or the beauty of the roses coiling along the trellis of her spine. Someone counts the lashes—is it Mother? Six, seven.
The scourging continues, but Rosetta stops wailing and sinks against the porch rail. Nine, ten. My eyes look away. They