Interview with the Vampire Page 0,84

and other knowledge which Claudia did not begin to comprehend. Seeds of these longings had been planted in me years ago, seeds which came to bitter flower as our ship passed through the Straits of Gibraltar and into the waters of the Mediterranean Sea.

"I wanted those waters to be blue. And they were not. They were the nighttime waters, and how I suffered then, straining to remember the seas that a young man's untutored senses had taken for granted, that an undisciplined memory had let slip away for eternity. The Mediterranean was black, black off the coast of Italy, black off the coast of Greece, black always, black when in the small cold hours before dawn, as even Claudia slept, weary of her books and the meager fare that caution allowed her vampire hunger, I lowered a lantern down, down through the rising vapor until the fire blazed right over the lapping waters; and nothing came to light on that heaving surface but the light itself, the reflection of that beam traveling constant with me, a steady eye which seemed to fix on me from the depths and say,'Louis, your quest is for darkness only. This sea is not your sea. The myths of men are not your myths. Men's treasures are not yours.'

"But oh, how the quest for the Old World vampires filled me with bitterness in those moments, a bitterness I could all but taste, as if the very air had lost its freshness. For what secrets, what truths had those monstrous creatures of night to give us? What, of necessity, must be their terrible limits, if indeed we were to find them at all? What can the damned really say to the damned?

"I never stepped ashore at Piraeus. Yet in my mind I roamed the Acropolis at Athens, watching the moon rise through the open roof of the Parthenon, measuring my height by the grandeur of those columns, walking the streets of those Greeks who died at Marathon, listening to the sound of wind in the ancient olives. These were the monuments of men who could not die, not the stones of the living dead; here the secrets that had endured the passage of time, which I had only dimly begun to understand. And yet nothing turned me from our quest and nothing could. turn me, but over and over, committed as I was, I pondered the great risk of our questions, the risk of any question that is truthfully asked; for the answer must carry an incalculable price, a tragic danger. Who knew that better than I, who had presided over the death of my own body, seeing all I called human wither and die only to form an unbreakable chain which held me fast to this world yet made me forever its exile, a specter with a beating heart?

"The sea lulled me to bad dreams, to sharp remembrances. A winter night in New Orleans when I wandered through the St. Louis cemetery and saw my sister, old and bent, a bouquet of white roses in her arms, the thorns carefully bound in an old parchment, her gray head bowed, her steps carrying her steadily along through the perilous dark to the grave where the stone of her brother Louis was set, side by side with that of his younger brother. . Louis, who had died in the fire of Pointe du Lac leaving a generous legacy to a godchild and namesake she never knew. Those flowers were for Louis, as if it had not been half a century since his death, as if her memory, like Louis's memory, left her no peace. Sorrow sharpened her ashen beauty, sorrow bent her narrow back. And what I would not have given, as I watched her, to touch her silver hair, to whisper love to her, if love would not have loosed on her remaining years a horror worse than grief. I left her with grief. Over and over and over.

"And I dreamed now too much. I dreamed too long, in the prison of this ship, in the prison of my body, attuned as it was to the rise of every sun as no mortal body had ever been. And my heart beat faster for the mountains of eastern Europe, finally, beat faster for the one hope that somewhere we might find in that primitive countryside the answer to why under God this suffering was allowed to exist why under God it was allowed to begin, and how

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