said the vampire.

“Why did you let him go then?” asked the boy.

“I don’t know,” said the vampire, but it did not have the tone of truly I don’t know, but rather, let it be. “You look tired,” said the vampire. “You look cold.”

“It doesn’t matter,” said the boy quickly. “The room’s a little cold; I don’t care about that. You’re not cold, are you?”

“No.” The vampire smiled and then his shoulders moved with silent laughter.

A moment passed in which the vampire seemed to be thinking and the boy to be studying the vampire’s face. The vampire’s eyes moved to the boy’s watch.

“She didn’t succeed, did she?” the boy asked softly.

“What do you honestly think?” asked the vampire. He had settled back in his chair. He looked at the boy intently.

“That she was…as you said, destroyed,” said the boy; and he seemed to feel the words, so that he swallowed after he’d said the word destroyed. “Was she?” he asked.

“Don’t you think that she could do it?” asked the vampire.

“But he was so powerful. You said yourself you never knew what powers he had, what secrets he knew. How could she even be sure how to kill him? How did she try?”

The vampire looked at the boy for a long time, his expression unreadable to the boy, who found himself looking away, as though the vampire’s eyes were burning lights. “Why don’t you drink from that bottle in your pocket?” asked the vampire. “It will make you warm.”

“Oh, that…” said the boy. “I was going to. I just.…”

The vampire laughed. “You didn’t think it was polite!” he said, and he suddenly slapped his thigh.

“That’s true,” the boy shrugged, smiling now; and he took the small flask out of his jacket pocket, unscrewed the gold cap, and took a sip. He held the bottle, now looking at the vampire.

“No,” the vampire smiled and raised his hand to wave away the offer.

Then his face became serious again and, sitting back, he went on.

“Lestat had a musician friend in the Rue Dumaine. We had seen him at a recital in the home of a Madame LeClair, who lived there also, which was at that time an extremely fashionable street; and this Madame LeClair, with whom Lestat was also occasionally amusing himself, had found the musician a room in another mansion nearby, where Lestat visited him often. I told you he played with his victims, made friends with them, seduced them into trusting and liking him, even loving him, before he killed. So he apparently played with this young boy, though it had gone on longer than any other such friendship I had ever observed. The young boy wrote good music, and often Lestat brought fresh sheets of it home and played the songs on the square grand in our parlor. The boy had a great talent, but you could tell that this music would not sell, because it was too disturbing. Lestat gave him money and spent evening after evening with him, often taking him to restaurants the boy could have never afforded, and he bought him all the paper and pens which he needed for the writing of his music.

“As I said, it had gone on far longer than any such friendship Lestat had ever had. And I could not tell whether he had actually become fond of a mortal in spite of himself or was simply moving towards a particularly grand betrayal and cruelty. Several times he’d indicated to Claudia and me that he was headed out to kill the boy directly, but he had not. And, of course, I never asked him what he felt because it wasn’t worth the great uproar my question would have produced. Lestat entranced with a mortal! He probably would have destroyed the parlor furniture in a rage.

“The next night—after that which I just described to you—he jarred me miserably by asking me to go with him to the boy’s flat. He was positively friendly, in one of those moods when he wanted my companionship. Enjoyment could bring that out of him. Wanting to see a good play, the regular opera, the ballet. He always wanted me along. I think I must have seen Macbeth with him fifteen times. We went to every performance, even those by amateurs, and Lestat would stride home afterwards, repeating the lines to me and even shouting out to passers-by with an outstretched finger, ‘Tomorrow and tomorrow and tomorrow!’ until they skirted him as if he were drunk. But this effervescence

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