that you can hold; and you will have hunger when that’s gone for the same, and the same, and the same. The red in this glass will be just as red; the roses on the wallpaper just as delicately drawn. And you’ll see the moon the same way, and the same the flicker of a candle. And with that same sensibility that you cherish you will see death in all its beauty, life as it is only known on the very point of death. Don’t you understand that, Louis? You alone of all creatures can see death that way with impunity. You…alone…under the rising moon…can strike like the hand of God!’

“He sat back now and drained the glass, and his eyes moved over the unconscious woman. Her breasts heaved and her eyebrows knit as if she were coming around. A moan escaped her lips. He’d never spoken such words to me before, and I had not thought him capable of it. ‘Vampires are killers,’ he said now. ‘Predators. Whose all-seeing eyes were meant to give them detachment. The ability to see a human life in its entirety, not with any mawkish sorrow but with a thrilling satisfaction in being the end of that life, in having a hand in the divine plan.’

“ ‘That is how you see it!’ I protested. The girl moaned again; her face was very white. Her head rolled against the back of the chair.

“ ‘That is the way it is,’ he answered. ‘You talk of finding other vampires! Vampires are killers! They don’t want you or your sensibility! They’ll see you coming long before you see them, and they’ll see your flaw; and, distrusting you, they’ll seek to kill you. They’d seek to kill you even if you were like me. Because they are lone predators and seek for companionship no more than cats in the jungle. They’re jealous of their secret and of their territory; and if you find one or more of them together it will be for safety only, and one will be the slave of the other, the way you are of me.’

“ ‘I’m not your slave,’ I said to him. But even as he spoke I realized I’d been his slave all along.

“ ‘That’s how vampires increase…through slavery. How else?’ he asked. He took the girl’s wrist again, and she cried out as the knife cut. She opened her eyes slowly as he held her wrist over the glass. She blinked and strained to keep them open. It was as if a veil covered her eyes. ‘You’re tired, aren’t you?’ he asked her. She gazed at him as if she couldn’t really see him. ‘Tired!’ he said, now leaning close and staring into her eyes. ‘You want to sleep.’ ‘Yes…’ she moaned softly And he picked her up and took her into the bedroom. Our coffins rested on the carpet and against the wall; there was a velvet-draped bed. Lestat did not put her on the bed; he lowered her slowly into his coffin. ‘What are you doing?’ I asked him, coming to the door sill. The girl was looking around like a terrified child. ‘No…’ she was moaning. And then, as he closed the lid, she screamed. She continued to scream within the coffin.

“ ‘Why do you do this, Lestat?’ I asked.

“ ‘I like to do it,’ he said. ‘I enjoy it.’ He looked at me. ‘I don’t say that you have to enjoy it. Take your aesthete’s tastes to purer things. Kill them swiftly if you will, but do it! Learn that you’re a killer! Ah!’ He threw up his hands in disgust. The girl had stopped screaming. Now he drew up a little curved-legged chair beside the coffin and, crossing his legs, he looked at the coffin lid. His was a black varnished coffin, not a pure rectangular box as they are now, but tapered at both ends and widest where the corpse might lay his hands upon his chest. It suggested the human form. It opened, and the girl sat up astonished, wild-eyed, her lips blue and trembling. ‘Lie down, love,’ he said to her, and pushed her back; and she lay, near-hysterical, staring up at him. ‘You’re dead, love,’ he said to her; and she screamed and turned desperately in the coffin like a fish, as if her body could escape through the sides, through the bottom. ‘It’s a coffin, a coffin!’ she cried. ‘Let me out.’

“ ‘But we all must lie in coffins, eventually,’ he said to her. ‘Lie still, love. This