The Information Officer - By Mark Mills Page 0,59

Hugh kicked it off.

“So, Odysseus, how is the fair Calypso?”

“Excuse me?”

“You don’t know the story? It’s from Homer.”

“Pray tell,” said Ralph, eager for revenge.

Legend held that the island of Gozo, just off the north coast, was Ogygia, home to the sea nymph Calypso, who ensnared Odysseus in her web of feminine wiles, holding him hostage for seven years.

It was the first time Max had been ribbed about Lilian, and he wasn’t quite sure how to react. He decided to adopt an air of amused tolerance while they went at him.

“She’s certainly got her claws into him,” said Ralph. “I saw her aunt in the street the other day, and she wanted the lowdown on our friend here.”

“What did you tell her?”

“That he’s an upstanding young man with a fine future ahead of him.”

“It can’t be right to lie to the natives.”

“No, I hear the definite clangor of wedding bells.”

“It’ll mean converting to the Roman Church.”

“Absolutely. They have no truck with our watered-down faith.”

“Well, he could do far worse,” said Freddie. “She’s a beauty.”

“That’s the truth. I’d happily play hide the sausage with her.”

“Ah, but we all know what happens to these Maltese girls when middle age sets in. Suddenly they’re sidestepping through doorways.”

“Less sea nymph than sea cow.”

They talked around him, over him, anything but to him. And as he listened to the imaginary life they were mapping out for him—the meddlesome Maltese relatives, the early-morning masses, his olive-skinned progeny—it dawned on him that Freddie was right: he could do far worse for himself. After all, he almost had.

His thoughts strayed to Lilian, probably in bed by now, just a few streets away, a hop, skip, and jump across the rooftops. He saw her jet-black hair spread across the pillow, and the rise and fall of her breasts beneath the sheet.

Strangely, he had never stopped to think what she really thought of him. What did a kiss in a darkened garden mean to her? Was it loaded with significance? Maybe all she wanted was a pleasing flirtation, a little diversion from the grim realities of life. If so, it was no more than many girls of her social class were looking for. Mdina was home to a number of noble families whose daughters weren’t averse to the odd romantic dalliance. Maybe Lilian was no different. This, after all, was the world she inhabited.

Somehow, he couldn’t see it, though. She was older, too much of her own person to follow the flock simply for the sake of it. He knew immediately that this conclusion flattered him by lending weight to her feelings. It came to him more slowly that they were feelings he was quite happy for her to have.

Or maybe it was the whisky speaking. He had a tendency to turn dewy-eyed under its influence.

Hugh, meanwhile, was growing downright maudlin. He could just as well have been speaking about the burning of the Great Library of Alexandria, so stirring was his account of the destruction by an enemy bomb of the premises of the Malta Amateur Dramatic Club.

No one had been in the building on South Street at the time, but Hugh had been there since and had picked over the rubble, pulling out props and costumes from the plays they’d put on over the years, each one unleashing a memory, many of which he now felt obliged to share with his friends.

The friends, meanwhile, did their best not to laugh. This wasn’t easy, especially when Hugh started to recite lines.

“Do you remember Return to Sender?”

Ralph leaned forward in his chair. “How could we forget, old man?”

This was said for Max and Freddie’s benefit, Hugh being too caught up in the moment to detect the irony.

“‘I say, Margaret, wasn’t that the doorbell? Or could it be that my ears are still ringing from our little contretemps earlier?’”

He gave a smile that said, Step aside, Shakespeare. You’ve had your day.

“Didn’t Olive Bratby play Margaret?” said Freddie.

“She certainly did. And with great authority. Margaret’s not an easy character to play. Remember when her poodle goes missing? That requires a deft touch.”

“Oooo,” said Max, “that’s a horrible moment.”

“It is, it is, and an actress of lesser ability would have over-egged the pudding. Far better, though, that Margaret is seen not to react. She buries the pain away. It’s what she does, you see? As with the poodle, so with life.”

This last line was a tough one to hold out against. They all managed it, though, rising to the challenge of the unspoken game:

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