in town. The first time he invited her for a drink at the Union Club, it was on some doubtful professional pretext.
Perched on a chair in the ladies’ bar—amusingly nicknamed the snake pit, which didn’t amuse her—she told him the story of her father, a captain in the Yorkshire Light Infantry who had spent a year of his life on Malta, recuperating from injuries sustained in the Salonika campaign. Malta had catered to well over one hundred thousand sick and wounded during the Great War, and had come to be known as “the nurse of the Mediterranean.” Lilian’s mother, like so many other Maltese girls at the time, had been a volunteer nurse, and she’d lost her heart to the lanky Yorkshireman in her care, marrying him a few months before he was sent back to the front. George Flint wasn’t killed by a Bulgar bullet or bomb; he died from malaria in September 1918, a few days before the war in Salonika ended.
Her mother had never remarried, unable to square the concept with her faith, although it hadn’t stopped her from disappearing off to Italy a couple of years before the outbreak of war, on the arm of a visiting professor of archaeology from the University of Padua. This was the reason Lilian now lived with her aunt’s family in Mdina. The invitation to dinner there had followed a few weeks later.
With its walls and ramparts and sweeping views, Mdina reminded him of a number of hilltop towns he had visited in France with his father before the war, and while it lacked a cathedral to match those of Laon or Vézelay, it more than made up for this in other ways. As the seat of the Maltese nobility, its streets and squares were lined with stately palaces, mostly built in a restrained baroque style. The same graceful architecture was evident in the churches, convents, and seminaries that accounted for almost all the other buildings in the compact citadel. The effect was ordered, aristocratic, ecclesiastical; and an ancient peace seemed to hang over the place, a silence broken every so often by the slap and scuff of leather sandals on stone as friars and nuns shuffled about their business.
Lilian’s aunt, her mother’s younger sister, had married into one of the more ancient families, acquiring a convoluted title in the process, although she insisted on being addressed simply as Teresa. Her husband, the twentieth baron of something or other unpronounceable, was an officer in the Royal Malta Artillery. He commanded an antiaircraft battery near the fuel reservoirs at Birzebbuga in the south of the island, and he was rarely around, which left his wife, his niece, and his two young daughters free run of the palace on Bastion Square.
At dinner, Max had been a little put out to find himself seated next to Teresa at one end of the long table, while a handsome and amusing young captain with the 2nd Battalion Cheshire Regiment monopolized Lilian at the other end. He drew some consolation from the fact that Teresa appeared to know a fair amount about him already, although this didn’t stop her from quizzing him further. She was an attractive woman with a ready laugh and large eyes made for drawing confidences from strangers, especially ones who had consumed too much fine red wine.
He told her about his life back home in England, about the big house in Oxfordshire where he had grown up, the farm that came with it, and the fields and woods and lakes that had served as his playground when he was a boy. She wanted more, though. What was his father like? A modest, soft-spoken man. Kindhearted, if slightly remote. And his mother? She was dead. How? In childbirth. Giving birth to him.
Silence. The same awkward silence that always followed this revelation, as if people were weighing in their minds the exact extent of his culpability. But Teresa was different.
“How terrible that you did not know your mother.”
“I couldn’t say. I’ve nothing to compare it with.”
“Are her family still in your life?”
“They’re French. She was French.”
“And her name?”
It didn’t come readily to his lips. In fact, he couldn’t remember the last time he’d uttered it.
“Camille.”
He was too far in by now to extract himself, so he told her the story, in so much as it had been handed down to him. His father, the youngest of three sons, had always harbored dreams of being a painter, dreams that had carried him to Paris against