statement. “Well, actually, she took it rather badly. What with her job and everything, she feels she’s doing her bit for the war effort.”
“I’m sure we can drum up some letter-writing for her in Alex.”
“That’s what I told her, though with slightly more tact.”
Max knew he had to smile along with them—anything less would have been too revealing—but he wanted to scream at them. Were they really so blind? Was that really how they saw her: the little woman troubling her head with the affairs of men? He knew what she did, and he knew she did it well because he had sometimes helped her with it when Lionel was away on patrol.
By any standards, it was a grim job. Unable to attend to their own affairs, dead RAF personnel required others to do the business on their behalf, and that duty fell to the Standing Committee of Adjustment. From their ground-floor offices on Scot Street, they sifted through the personal effects of the victims. Small objects of sentimental value were dispatched free of charge to the next of kin; bulkier items were either shipped home at the expense of the families or sold for the benefit of the RAF Benevolent Fund.
Mitzi was in charge of the correspondence. She read all the letters the casualties had received during their time on Malta, judging which of them to hold back. It wouldn’t do for a grieving widow to find a love note from another woman buried away in her dead husband’s mail. When she wasn’t preserving the memory of the dead, Mitzi was drafting the official letters that accompanied the personal effects back home. Most people would have dashed them off mechanically, but Mitzi worked hard to lend them a thoughtful and human touch, knowing that her words could make a difference.
“I’ve asked her to leave the flat in Valetta till she ships out to Alex. The Reynolds have said they’ll have her in Saint Julian’s.”
“Good idea,” said Tommy. “It’s a far safer place to be right now.”
“She’s dead against it, won’t listen to common sense.” Lionel turned to Max. “A word in her ear would be appreciated, old man.”
“Of course,” said Max.
Tommy and Lionel accompanied him back to his motorcycle, stopping to show him the stone wall on which Lord Byron had scratched his name while quarantined at the Lazaretto.
Tommy ran his finger over the sloping script.
“Adieu thou damnedst quarantine, / That gave me fever and the spleen,” he intoned, presumably quoting from one of Byron’s poems. “He didn’t like Malta.”
“And who can bloody blame him?” muttered Lionel.
Valetta was a welcome tonic after the desolation and destruction of the submarine base, which was saying something. In all its long history, the place had surely never looked worse. It had been almost a month since the opera house close by Kingsgate had received a direct hit, but its tumbled ruins still gave pause for thought. From here, it was a short walk down Kingsway to the shell of the Regent Theatre, where more than a hundred people had lost their lives on Carnival Sunday back in February during an afternoon showing of North West Mounted Police. Freddie, a devoted fan of Madeleine Carroll (and other ice-cool blondes in her mold) had dragged Max to see De-Mille’s curious and rather disappointing epic just the evening before. Several officers whom Max had known well enough to stand a drink for at the Union Club had not been so lucky with their timing.
Close brushes such as these brought to mind the grim words etched into one of the knights’ tombs in Saint John’s Co-Cathedral, remarkably undamaged still, a stone’s throw from the Regent: Hora Venit ejus, Veniet et tua. “Death came for them, and it shall come for you.” Maybe the Maltese had absorbed this stark truth with their mother’s milk, for they had an impressive capacity for carrying on regardless. Even now, they were buzzing about their business, moving with purpose, and Max found himself falling into step with the jittery rhythms of the street, a welcome antidote to the weary defeatism of the submariners. He had to hurry if he was going to make his appointment. Iris had been very clear with him on the phone: she wouldn’t hang around for him if he was late.
Iris was a civilian plotter with RAF Fighter Control in the Combined Operations Room. Sometimes referred to as “the Ops Room” but widely known as “the Hole,” it lay deep within the rock below the Upper Barraka