Inferno (Robert Langdon) Page 0,168

pillar that had been looted from a nearby structure during construction. And still another offered a diagram of an ancient carving now faded from view—the Crying Hen’s Eye symbol, which wept for all the slaves who died while building the cistern.

Strangely, it was a sign that bore a single word that now stopped Langdon dead in his tracks.

Brüder halted, too, turning. “What’s wrong?”

Langdon pointed.

On the sign, accompanied by a directional arrow, was the name of a fearsome Gorgon—an infamous female monster.

MEDUSA ⇒

Brüder read the sign and shrugged. “So what?”

Langdon’s heart was pounding. He knew Medusa was not only the fearsome snake-haired spirit whose gaze could turn anyone who looked at her to stone, but was also a prominent member of the Greek pantheon of subterranean spirits … a specific category known as the chthonic monsters.

Follow deep into the sunken palace …

for here, in the darkness, the chthonic monster waits …

She’s pointing the way, Langdon realized, breaking into a run along the boardwalk. Brüder could barely keep up with him as Langdon zigzagged into the darkness, following the signs for Medusa. Finally, he reached a dead end at a small viewing platform near the base of the cistern’s rightmost wall.

There before him was an incredible sight.

Rising out of the water was a colossal carved marble block—the head of Medusa—her hair writhing with snakes. Making her presence here even more bizarre was the fact that her head had been placed on her neck upside down.

Inverted as the damned, Langdon realized, picturing Botticelli’s Map of Hell and the inverted sinners he had placed in the Malebolge.

Brüder arrived breathless beside Langdon at the railing, staring out at the upside-down Medusa with a look of bewilderment.

Langdon suspected that this carved head, which now served as a plinth supporting one of the columns, had probably been pillaged from elsewhere and used here as an inexpensive building supply. The reason for Medusa’s inverted position was no doubt the superstitious belief that the inversion would rob her of her evil powers. Even so, Langdon could not shake off the barrage of haunting thoughts that assailed him.

Dante’s Inferno. The finale. The center of the earth. Where gravity inverts itself. Where up becomes down.

His skin now prickling with foreboding, Langdon squinted through the reddish haze that surrounded the sculpted head. Most of Medusa’s serpent-infested hair was submerged underwater, but her eyes were above the surface, facing to the left, staring out across the lagoon.

Fearfully, Langdon leaned over the railing and turned his head, letting his gaze follow the statue’s out into the familiar empty corner of the sunken palace.

In an instant, he knew.

This was the spot.

Zobrist’s ground zero.

CHAPTER 92

Agent Brüder lowered himself stealthily, sliding beneath the railing and dropping down into the chest-deep water. As the rush of cool liquid permeated his clothing, his muscles tensed against the chill. The floor of the cistern was slippery beneath his boots, but it felt solid. He stood a moment, taking stock, watching the concentric circles of water rippling away from his body like shock waves across the lagoon.

For a moment Brüder didn’t breathe. Move slowly, he told himself. Create no turbulence.

Above him on the boardwalk, Langdon stood at the railing, scanning the surrounding boardwalks.

“All set,” Langdon whispered. “Nobody sees you.”

Brüder turned and faced the huge upside-down head of Medusa, which was brightly lit by a red spotlight. The inverted monster looked even larger now that Brüder was down at her level.

“Follow Medusa’s gaze across the lagoon,” Langdon whispered. “Zobrist had a flair for symbolism and dramatics … I wouldn’t be surprised if he placed his creation directly in the lethal sight line of Medusa.”

Great minds think alike. Brüder felt grateful that the American professor had insisted on making the descent with him; Langdon’s expertise had guided them almost immediately to this distant corner of the cistern.

As the strains of the Dante Symphony continued to reverberate in the distance, Brüder took out his waterproof Tovatec penlight and submerged it beneath the water, flipping the switch. A bright halogen beam pierced the water, illuminating the cistern floor before him.

Easy, Brüder reminded himself. Don’t disturb a thing.

Without another word, he began his careful journey out into the lagoon, wading in slow motion through the water, moving his flashlight methodically back and forth like an underwater minesweeper.

At the railing, Langdon had begun to feel an unsettling tightness in his throat. The air in the cistern, despite the humidity, tasted stale and oxygen-depleted to him. As Brüder waded carefully out into the lagoon, the professor reassured himself

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