The Improbable Adventures of Sherlock Holmes - By John Joseph Adams Page 0,116

from the study, and burned.

I have not heard that the Fitzgeralds have been troubled since that time; nor did I ever hear of any treasures being found in the house.

One other item, perhaps, bears mentioning. Low had been invited to travel back to London with us, and we found ourselves with some time to spare in the village before our train was due to arrive. We walked, by common accord, over to the small parish church where, we recalled, some of the items salvaged from the original Abbey of Lufford had been stored, and spent a pleasant half-hour therein, admiring the church and its relics. Holmes, indicating that it was time to leave for the station, went outside, and I looked around for Flaxman Low, whom I found staring intently into a glass case which contained some of the remains of the old Abbey. As I paused by his side he turned and smiled at me.

"Ah, Dr. Watson," he said; "or should it be 'Gentleman of the Jury'? Do you still find for 'Not Proven,' or have you had any second thoughts?"

I shook my head. "I do not know," I said honestly. "I have worked with Holmes for many years, and am rather inclined to his viewpoint that there is nothing that cannot be explained logically and rationally. And yet . . . " I paused. "I am not, I think, more imaginative than my fellow man, nor a person inclined to foolish fancies; yet I confess to you that as we stood outside the door of that room, I would have given a good deal not to go in there; and all the while we were inside it, I felt that there was . . . something in the room with us, something malignant, evil." I shook my head. "I do not know," I repeated, "but I am prepared to weigh the evidence and be convinced."

Low reached out and shook my hand. "Thank you," he said quietly. Then his eyes returned to the case which he had been studying, and he pointed at an item within it. "I was reading this before you came over," he said. "It is one of the relics from the Abbey of Lufford, a tile that dates back to the fifteenth century. The original is in Middle English, and rather difficult to make out, but a translation is on the card beside it. I wonder if Karswell ever saw it; in the unlikely event that he did, he certainly paid no heed to the warning."

I gazed at the card, and read the following words from Lufford Abbey:

Think, man, thy life may not ever endure; what thou dost thyself, of that thou art sure; but what thou keepest for thy executor's care, and whether it avail thee, is but adventure.

Murder to Music

by Anthony Burgess

Anthony Burgess is the world-renowned author of the dystopian novel A Clockwork Orange. His other novels include Inside Mr. Enderby (et seq.), Earthly Powers, and The Long Day Wanes trilogy. Several of his short stories, including this one, can be found in his book The Devil's Mode. Although most readers probably know Burgess because of his fiction, he was a prolific writer of non-fiction and criticism, and he worked on a number of screenplays and as a translator. Burgess was also a composer of music, which, as you might guess from the title, served him well in writing this tale.

The first wife of prolific author Isaac Asimov once chided him for spending so much time working, saying, "When you're on your deathbed, and you've written a hundred books, what'll you say then?" To which Asimov replied, "I'll say, 'Only a hundred!'" In point of fact, Asimov had written or edited closer to five hundred books by the time he died. In a world of poseurs and dilettantes, of people who chatter constantly about the art they intend to create "someday" or "when I have time," it can be inspiring to see people who are so dedicated to their work that the terms art and life become inseparable, and who keep on working right up until the end. The legendary Japanese artist Hokusai, known for masterpieces such as Thirty-six Views of Mt. Fuji, is said to have exclaimed on his deathbed, "If only Heaven will give me just another ten years . . . Just another five more years, then I could become a real painter." If you're one of those people who's moved by the idea of an artist practicing his art