If It Bleeds - Stephen King Page 0,55

along with the radio. There had been lots of take-out meals after the accident (and whole recyclable bins full of Grandpa’s Budweiser bottles), but in the year after Disney World, Grandma began cooking again. Good meals that put weight on a formerly skinny boy.

She liked rock and roll while she was cooking, music Chuck would have thought much too young for her, but which she clearly enjoyed. If Chuck wandered into the kitchen looking for a cookie or maybe hoping to make a brown-sugar roll-up with a slice of Wonder Bread, Grandma was apt to hold out her hands to him and start snapping her fingers. “Dance with me, Henry,” she’d say.

His name was Chuck, not Henry, but he usually took her up on it. She taught him jitterbug steps and a couple of crossover moves. She told him there were more, but her back was too creaky to attempt them. “I can show you, though,” she said, and one Saturday brought back a stack of videotapes from the Blockbuster store. There was Swing Time, with Fred Astaire and Ginger Rogers, West Side Story, and Chuck’s favorite, Singin’ in the Rain, where Gene Kelly danced with a lamppost.

“You could learn those moves,” she said. “You’re a natural, kiddo.”

He asked her once, when they were drinking iced tea after an especially strenuous go to Jackie Wilson’s “Higher and Higher,” what she had been like in high school.

“I was a kusit,” she said. “But don’t tell your zaydee I said that. He’s old-school, that one.”

Chuck never told.

And he never went in the cupola.

Not then.

He asked about it, of course, and more than once. What was up there, what you could see from the high window, why the room was locked. Grandma said it was because the floor wasn’t safe and he might go right through it. Grandpa said the same thing, that there was nothing up there because of the rotten floor, and the only thing you could see from those windows was a shopping center, big deal. He said that until one night, just before Chuck’s eleventh birthday, when he told at least part of the truth.

2

Drinking is not good for secrets, everybody knows that, and after the death of his son, daughter-in-law, and granddaughter-to-be (Alyssa, sounds like rain), Albie Krantz drank a great deal. He should have bought stock in Anheuser-Busch, that was how much he drank. He could do it because he was retired, and comfortably off, and very depressed.

After the trip to Disney World the drinking tapered off to a glass of wine with dinner or a beer in front of a baseball game. Mostly. Once in awhile—every month at first, every couple of months later on—Chuck’s grandpa tied one on. Always at home, and never making any fuss about it. The next day he would move slowly and eat little until afternoon, then he was back to normal.

One night while watching the Red Sox get thumped by the Yankees, when Albie was well into his second sixpack of Bud, Chuck once more raised the subject of the cupola. Mostly just to have something to talk about. With the Sox down by nine, the game wasn’t exactly holding his attention.

“I bet you can see way past the Westford Mall,” Chuck said.

Grandpa considered this, then pushed the mute button on the TV controller, silencing an ad for Ford Truck Month. (Grandpa said Ford stood for Fix Or Repair Daily.) “If you went up there you might see a lot more than you wanted,” he said. “That’s why it’s locked, boychick.”

Chuck felt a small and not entirely unpleasurable chill go through him, and his mind immediately flashed to Scooby-Doo and his friends, chasing down spooks in the Mystery Machine. He wanted to ask what Grandpa meant, but the adult part of him—not there in person, no, not at ten, but something that had begun to speak on rare occasions—told him to be quiet. Be quiet and wait.

“Do you know what style this house is, Chucky?”

“Victorian,” Chuck said.

“That’s right, and not pretend Victorian, either. It was built in 1885, been remodeled half a dozen times since, but the cupola was there from the start. Your bubbie and I bought it when the shoe business really took off, and we got it for a song. Been here since 1971, and in all those years I haven’t been up to that damn cupola half a dozen times.”

“Because the floor’s rotted?” Chuck asked, with what he hoped was appealing innocence.

“Because it’s full of ghosts,”

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