House Atreides - By Brian Herbert & Kevin J. Anderson Page 0,9

the annual performance of the official House Play. Their costumes were colorful, if not entirely authentic. The props— the facade of Agamemnon’s palace, the flagstoned courtyard— showed a realism based only on enthusiasm and a few filmbook snapshots of ancient Greece.

The long play by Aeschylus had already gone on for some time, and the gathered audience in the theatre was warm and the air was close. Glowglobes lit the stage and rows of seating, but the torches and braziers around the performers added aromatic smoke to the building.

Though the background noises were loud enough, the Old Duke’s snores threatened to carry all the way forward to the performers.

“Father, wake up!” Leto Atreides whispered, nudging Duke Paulus in the ribs. “The play isn’t even half-over.”

In the chair of his private box, Paulus stirred and straightened, brushing imaginary crumbs from his broad chest. Shadows played across the creased, narrow face and the voluminous salt-and-pepper beard. He wore a black Atreides uniform with a red hawk crest on the left breast. “It’s all just talking and standing anyway, lad.” He blinked toward the stage, where the old men still hadn’t moved much. “And we’ve seen it every year.”

“That is not the point, Paulus, dear. People are watching.” It was Leto’s mother, sitting on the other side of the Duke. The dark-skinned Lady Helena, dressed in her fine gown, took seriously the ponderous words of the Greek chorus. “Pay attention to the context. It’s your family history, after all. Not mine.” Leto looked from one parent to the other, knowing that the family history of his mother’s House Richese carried just as much grandeur and loss as that of Atreides. Richese had sunk from a highly profitable “golden age” to its current economic weakness.

House Atreides claimed to trace its roots more than twelve thousand years, back to the ancient sons of Atreus on Old Terra. Now the family embraced its long history, despite the numerous tragic and dishonorable incidents it contained. The Dukes had made an annual tradition of performing the classic tragedy of Agamemnon, the most famous son of Atreus and one of the generals who had conquered Troy.

With black-black hair and a narrow face, Leto Atreides strongly resembled his mother, though he had his father’s aquiline nose and hawkish profile. The young man watched, dressed in uncomfortable finery, vaguely aware of the off-world background of the story. The author of the ancient play had counted on his audience understanding the esoteric references. General Agamemnon had been a great military commander in one of human history’s legendary wars, long before the creation of thinking machines that had enslaved mankind, long before the Butlerian Jihad had freed humanity.

For the first time in his fourteen years, Leto felt the weight of legends on his shoulders; he sensed a connection with the faces and personalities of his star-crossed family’s past. One day he would succeed his father, and would become a part of Atreides history as well. Events were chipping away at his childhood, transforming him into a man. He saw it clearly.

“The unenvied fortune is best,” the old men chimed together to say their lines. “Preferable to sacking cities, better than following the commands of others.”

Before sailing to Troy, Agamemnon had sacrificed his own daughter to guarantee favorable winds from the gods. His distraught wife, Clytemnestra, had spent the ten years of her husband’s absence plotting revenge. Now, after the final battle of the Trojan War, a chain of signal fires had been lit along the coast, sending back home word of the victory.

“All of the action occurs offstage,” Paulus muttered, though he had never been much of a reader or literary critic. He lived life for the moment, squeezing every drop of experience and accomplishment. He preferred spending time with his son, or his soldiers. “Everybody just stands in front of the sets, waiting for Agamemnon to arrive.”

Paulus abhorred inaction, always telling his son that even the wrong decision was better than no decision at all. In the play, Leto thought the Old Duke sympathized most with the great general, a man after his own heart.

The chorus of old men droned on, Clytemnestra stepped out of the palace to deliver a speech, and the chorus continued again. A herald, pretending to have disembarked from a ship, came onto the stage, kissed the ground, and recited a long soliloquy.

“Agamemnon, glorious king! How you deserve our joyous welcome, for annihilating Troy and the Trojan homeland. Our enemy’s shrines lie in ruins, nevermore comforting their gods, and