player. No one folded. He tosses in a red chip. Ten thousand more. Everyone sees and calls. Around the table, the players throw their cards down by turn. All have good hands. Saukko has aces and eights, the hand the Wild Bill Hickok legend says he held when he was shot dead. Sweetness flops down three kings, says, “Thanks, guys. I’ll cash out now. You know how it is, places to go and people to see.”
I give the ambassador his phone. Sweetness takes all the electronica from the table, to make sure we have time to get away. Whether we live through the night is still up in the air. He dumps all the junk into a gym bag one of the players must have brought to carry cash. He takes his half million euros and tosses it in the bag, too.
The ambassador makes a quick call and rings off. He gives me an address and tells me to be there in half an hour. I take his phone from him. Whoever he called knows where the abducted girls are kept. I can track that person through his dialed numbers.
Sweetness says, “Thanks, guys. We’ll have to do this again sometime.”
The painkillers are kicking in, I push myself to my feet and gimp out the door. Sweetness covers me until I’m out of the room and then follows. “Plug your ears,” he says, and tosses in two more flash-bangs behind him as a parting gesture. Even with my ears protected and eyes shut, it’s like a nuke went off in the room. We step over the two cuffed guards in the hall and walk away.
We get to the delivery entrance. The guards there remain as we left them. I point at Saukko’s personal bodyguard and ask Sweetness, “Would you cut the zip-lock cuffs off his legs and pull the tape off his mouth? I want to take him with us. Men with their mouths taped shut tend to draw attention on the street.”
“Why take him with us?”
I want to puke from anxiety. “This Shit List thing. He knows Saukko’s business. We have to interrogate him and find out if it’s true, and if so, how to nullify it.”
Sweetness cuts him loose. This guy is a trained killer. I’m a crip with guns I barely know how to use. I cock the hammers of the shotgun and keep him at arm’s length. “Don’t say a word. Don’t make sudden movements. Or you get both barrels. Walk in front of us out to the street.”
He nods.
When we get to the Wrangler, I order him to get in the rear of the vehicle, rebind his ankles, retape his mouth, and throw a tarp over him.
16
We drive away. The dashboard clock reads ten after three. We drive a short distance to the address supplied to us. I ring the buzzer. No answer. I smash the apartment building’s front-door window with my sap, an extendable steel baton, reach inside and let us in. We take the elevator to the fourth floor. I ring. Again, no answer. Burning up a clip from my silenced Colt works as a key on the bottom lock. The door swings open a fraction. The Gemtech silencer I’m using, courtesy of Milo, really is a gem. I hear little more than the slide cycling and the used casings pattering on the floor as I’m firing. No waking the neighbors. Sweetness picks up the spent brass for me. The top, heavy-duty lock is usually meant for extra security when leaving. It’s unlocked, which suggests someone is inside.
We enter, and I push the door closed behind us. The reason we weren’t buzzed in becomes apparent. A man has his knees on the floor, his head and torso on a couch, as if trying to push himself to his feet. The butcher knife in his back, planted deep between his shoulder blades, prevented it. He’s dead.
Sweetness looks at me. “Fuck,” he says.
I agree. “Yeah, fuck. We need to take our shoes off, and for God’s sake, don’t touch anything.”
We don’t have any latex gloves to keep us from contaminating the crime scene with our own fingerprints. It’s a big apartment, with the doors to all the rooms shut. We both pull jacket sleeves down over one hand and use the cloth to turn door handles, hold pistols in the other, not easy with my cane. We split up and go through the place. It has three bedrooms, I suppose necessary for multiple girls turning tricks