to fill a shiny silver kettle, setting it on the stovetop. I let out a shaky breath. I’m not about to be ravished. No one boils water beforehand, except maybe in the Middle Ages.
He’s right of course. I’m dying to look. It’s why I came here. The Joshua I know is no longer enough.
Knowledge is power, and I can’t get enough at this point. A silent, exhilarated squeal is lodged in my throat. This is so much better than only seeing the sidewalk outside his building.
There’s a bookcase lining an entire wall. By the window there’s an armchair and another lamp, with a stack of books illuminated beneath it. Even more books on the coffee table. I’m intensely relieved by this.
What would I have done if he turned out to be a beautiful illiterate?
I like his lampshades. I step into one of the big bottle-green circles of light they cast on the oriental rug.
I look down and study the pattern; vines of ivy curving and twisting. On the wall in his living room is a framed painting of a hillside, likely Italian, maybe Tuscany. It’s an original, not a print; I can see the tiny dabs made by a paintbrush, and the gold frame is ornate. There are buildings clustered on the hill; church domes and spires, and a darkening purple-black sky overhead. A freckling of the faintest silver stars.
There are some business magazines on the coffee table. There is a fancy, pretty cushion on the couch made of rows and rows of blue ribbons. It’s all so . . . unexpected. Not in the least bit minimal. It’s like a real human lives here. I realize with a jolt that his place is far lovelier than mine. I look under his couch.
Nothing. Not even dust.
I spot a little origami bird made of notepaper I once flicked at him during a meeting. It is balanced on the edge of the bookshelf. I look at his profile in the kitchen as he arranges two mugs on the counter in front of him. How strange to imagine him putting my tiny folded scrap in his pocket and bringing it home.
On the next shelf down is a single framed photograph of Josh and Patrick posed in between a couple who I assume are his parents. His father is big and handsome, with a grim edge to his smile, but his mother almost glows out of the picture. She’s clearly bursting at the seams to have two such big handsome sons.
“I like your mother,” I tell him as he approaches. He looks at the photograph, and his lips press together. I take the hint and move on.
He’s got a lot of medical textbooks on the bottom shelf, which look pretty dated. There’s also an articulated anatomy statue of a hand, showing all of the bones. I fold the fingers down until only the middle one remains raised, and smirk at my cleverness.
“Why do you have these?”
“They’re from my other life.” He disappears into the kitchen again.
I hit Mute on the TV remote and the silence drenches us. I creep past him into his kitchen. It’s sparkling clean and the dishwasher is humming. The orange scent is his antibacterial counter spray. I notice my Post-it note with the kiss on it stuck to the fridge and point at it.
He shrugs. “You put so much hard work into it. Seemed a shame to waste it.”
I stand there in the lightbulb glow of his refrigerator and stare at everything. There’s a rainbow of color in here. Stalks. Leaves. Whiskery roots. Tofu and organic pasta sauce.
“My fridge is nothing but cheese and condiments.”
“I know.” I close the fridge and lean against it, magnets