The Goldfinch - Donna Tartt Page 0,330

collar where it had lodged against his neck. In the same instant Martin—distracted with the painting, directly across from me—looked up, and I was still looking at him blankly across the roof of the car when I heard it, to my right, three fast cracks which made us both turn quickly to the side. With the fourth (flinching, eyes closed) a warm spray of blood thumped across the car roof and struck me in the face and when I opened my eyes again the Asian kid was stepping back horrified and drawing a hand down his front in a bloody smear like a butcher’s apron and I was staring at a lighted sign Beetaalautomaat op where Boris’s head had been; blood was pouring from under the car and Boris was on the ground on his elbows, feet going, he was trying to scramble up from the floor, I couldn’t tell if he was hurt or not and I must have run around to him without thinking because the next thing I knew I was on the other side of the car and trying to help him up, blood everywhere, Frits was a mess, slumped against the car with a baseball-sized hole in the side of his head, and I’d just noticed Frits’s gun lying on the ground when I heard Boris exclaim sharply and there was Martin, tight-eyed with blood on his sleeve, hand clamped to his arm and fumbling to bring up his gun

It had happened before it even happened, like a skip in a DVD throwing me forward in time, because I have no memory at all of picking the pistol off the floor, only of a kick so hard it threw my arm in the air, I didn’t really hear the bang until I felt the kick and the casing flew back and hit me in the face and I shot again, eyes half-closed against the noise and my arm jolting with every shot, the trigger had a resistance to it, a stiffness, like pulling some too-heavy door latch, car windows popping and Martin with an arm coming up, exploding safety glass and chunks of concrete flying out a pillar and I’d got Martin in the shoulder, the soft gray cloth was drenched and dark, a spreading dark stain, cordite smell and deafening echo that drove me so deep inside my skull that it was less like actual sound striking my eardrums than a wall slamming down hard in my mind and driving me back into some hard internal blackness from childhood, and Martin’s viper eyes met mine and he was slumped forward with the gun propped on the roof of the car when I shot again and hit him above the eye, red burst that made me flinch and then, somewhere behind me, I heard the sound of running feet slapping on concrete—the boy, white coat running to the exit ramp with the painting under his arm, he was running up the ramp to the street, echoes reverberating in the tiled space and I can’t remember if I shot at him because somehow it was a completely different moment and I was facing away from the car, I was doubled over with my hands on my knees and the gun was on the ground, I had no memory of dropping it although the sound was there, it was clattering to the floor and it kept on clattering and I was still hearing the echoes and feeling the vibration of the gun up my arm, retching and doubled over, with Frits’s blood crawling and curling on my tongue.

Out of the darkness the sound of feet running and again I could not see, or move, everything black at the edges and I was falling even though I wasn’t because somehow I was sitting on a low stretch of tiled wall with my head between my knees looking down at clear red spit, or vomit, on the shiny, epoxy-painted concrete between my shoes and Boris, there was Boris, winded and breathless and bloody, running back in, his voice was coming from a million miles off, Potter, are you all right? he’s gone, I couldn’t catch him, he got away

I drew my palm down my face and looked at the red smear on my hand. Boris was still talking to me with some urgency but even though he was shaking my shoulder it was mostly mouth movements and nonsense through soundproof glass. The smoke from the fired gun was oddly