Gabriel’s Inferno Trilogy by Sylvain Reynard Page 0,450

She found Christa’s face and watched her conflicted expression, and believed that she had escaped unscathed.

Then, as if in slow motion, Christa’s expression changed and hardened. She scrambled to her feet.

Out of the corner of her eye, Julia saw Professor Pacciani take hold of Christa’s elbow somewhat roughly, trying to pull her back into her seat. But Christa wrenched her arm free.

“I have a question.”

Julia bit her lip unconsciously, her heart leaping into her throat.

As if it had been choreographed, every member of the audience turned to look at Christa. Several conferencegoers whispered to their neighbors, their eyes alive with anticipation. Christa’s conflict with the Emersons was well known now by almost every attendee. Indeed, the room began to buzz with a kind of nervous energy as everyone wondered what she was going to say.

“There are so many holes in your paper, I don’t know where to begin. But let’s start with your research, such as it is.” Christa’s tone was contemptuous. “The majority of papers on this passage accept the fact that Francis came for Guido. A few recent papers deny that Francis appeared. But no one”—she paused for emphasis—“no one thinks that Francis appeared but not for Guido’s soul. Either Guido is lying or he isn’t. It can’t be half and half, like cream.”

She smirked as a few members of the audience laughed.

Julia swallowed hard, her eyes darting around the room, reading everyone’s reaction before returning to Christa’s.

“Furthermore, you don’t even mention the beginning of canto twenty-seven, when Guido explains to Dante that he’s telling the truth because he thinks that Dante will spend the rest of eternity in Hell and therefore won’t be able to tell anyone what really happened. That passage demonstrates that Guido is telling the truth about Francis’s appearance.

“Finally, if you’d bothered to read Professor Hutton’s seminal work on the organization of the Inferno, you’d know that he thought the demon’s speech was reliable because his words were historically accurate. So Hutton thought that Francis appeared for Guido’s soul, too.”

With a proud smile, Christa sat down, waiting for Julia’s response. She was so proud of herself, so self-satisfied, she missed the look that Professor Picton gave to Professor Pacciani. The look indicated very clearly that Katherine was holding Pacciani responsible for the flamboyant behavior of his guest, and that she was not pleased with that behavior. In response, Professor Pacciani whispered in Christa’s ear, gesticulating wildly.

Julia simply stood there, blinking rapidly, while every single person in the room waited for her answer.

Gabriel moved forward in his chair, as if he were going to stand. He thought better of it, however, when Professor Picton narrowed her eyes at him. The expression on his face was thunderous as he glared in Christa’s direction.

Paul muttered an expletive and folded his arms across his chest.

Professor Picton simply nodded at Julia, her face a picture of confidence.

Julia raised a shaky hand to push her hair behind her ear, the diamonds in her engagement ring catching the light.

“Um, let’s begin with your point that some interpreters believe that Francis came for Guido’s soul and that this can be shown by his opening lines to Dante.”

Julia read the lines in Italian, her pronunciation sure and musical,

“‘S’i’ credesse che mia risposta fosse

a persona che mai tornasse al mondo,

questa fiamma staria stanza più scosse;

ma però che già mai di questo fondo

non torno vivo alcun, s’i’ odo il vero,

sanza tema d’infamia ti rispondo.’”

Julia began to stand a little taller.

“In this passage, Guido says he’s willing to tell the truth since he believes that Dante is one of the damned and thus wouldn’t be able to repeat the story. But Guido’s tale is self-serving. He blames everyone—the pope, the demon, and by implication, St. Francis—for his fate. There’s nothing in his account that he should be embarrassed about. If anything, the story he tells is one he would want to have repeated. He simply doesn’t want to tip his hand by saying so, which is why he gives the speech I just quoted.

“You’re also forgetting this line:

“‘Ora chi se’, ti priego che ne conte;

non esser duro più ch’altri sia stato,

se ‘l nome tuo nel mondo tegna fronte.’”

Growing in confidence, Julia resisted the urge to smile, choosing rather to meet Christa’s gaze gravely.

“Dante tells Guido that he intends to repeat his tale in the world. It’s only after Dante says this that Guido recounts his life story. Also, we know that Dante doesn’t resemble the other shades physically. So it’s likely that Guido recognized that Dante