Full Throttle - Joe Hill Page 0,44

the Cavern, the night following, the Edinburgh girl wasn’t there—of course she wasn’t—and the house band was playing fucking disco. The branch of Jimi Coffee being opened in Liverpool was not actually built on the ruin of the mom-and-pop that had served him rancid fish, but Saunders could pretend.

The platform was lit by fluorescents. He could see nothing of the world beyond. It seemed as if they’d been sitting there for a long time. Although the train was not quite standing still. It rocked now and then on its steel wheels, as if someone were loading something heavy into one of the rear cars. In the distance he heard someone braying, a man’s loud, lowing voice, oddly steerlike—Stop! he yelled. Stop it! Saunders imagined two movers trying to lug an oversize dresser onto the train and being yelled at by a conductor . . . reasonably enough, this wasn’t a freight car. A woman’s voice rose in a sob of laughter, then faded away. Saunders had half a mind to get up and walk to the back to see what was happening, but then the train jerked forward with a loud bang and began to struggle out of the station.

At the same moment, Saunders heard the door of first class open behind him with a smooth, steely clack.

Well—that’s him, he thought, with a certain grim satisfaction. The protester. Saunders didn’t look back to confirm it and didn’t need to. When he glanced sidelong at the window across the aisle, he could see the dim, blurred reflection of the guy: tall fella with the pointed ears of a German shepherd. Saunders lowered his gaze, fixed it on his newspaper, and pretended to read. Anybody who dressed in a getup like that did it because he wanted to be noticed, was hoping for a reaction. Saunders had no intention of giving him one.

The new arrival in first class started down the aisle, his breathing loud and strained, what you would expect from a man stuck in a rubber mask. At the last moment, it came to Saunders that it was a mistake to be occupying the window seat. The chair to his left was open and empty, a kind of invitation. He thought of moving, shifting his ass over to the aisle seat. But no, the protester would relish the fear that such a move indicated. Saunders stayed where he was.

Sure enough, the protester took the empty seat beside him, heaving himself down with a heavy sigh of satisfaction. Saunders willed himself not to look over, but his peripheral vision filled in a few details: a wolf mask that covered the entire head, furry gloves, and a bushy tail that was apparently controlled by a hidden wire, because it swung to one side when he sat. Saunders exhaled a thin breath through bared teeth and realized for the first time that he was grinning. It was something he did automatically when he was in for a fight and knew it. His first wife said it made him look like Jack Nicholson with the ax in that movie. She had called Saunders “The Woodcutter,” too—initially with coy affection, later when she was being bitchy.

The protester shifted around, getting comfortable, and one hairy-gloved hand brushed Saunders’s arm. That casual touch was enough to throw the switch on Saunders’s well-practiced rage. He snapped down one corner of the newspaper and opened his mouth to tell Lon fucking Chaney to keep his paws to himself—and then his breath caught in his chest. His lungs seemed to bunch up. He stared. He saw but couldn’t make sense of what he was looking at. He tried to see a protester as hard as he could, a protester in a rubber wolf mask and a tan overcoat. He insisted on it to himself for a few desperate moments, trying to make the perfectly reasonable notion in his head match the perfectly unreasonable reality beside him. But it wasn’t a protester. All the wishing in the world wouldn’t make it a protester.

A wolf sat on the seat next to him.

Or if not a wolf, then a creature more wolf than man. He had the body, roughly, of a man, with a broad, wedge-shaped chest that swept down to a sunken stomach and a narrow waist. But he had paws, not hands, wiry gray hair on them. He held a copy of the Financial Times himself, and his hooked yellow nails made audible scratching noises as he turned the pages. His

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