Full Throttle - Joe Hill Page 0,128

and dumped the contents onto the floor. He had a collection of tools: a pair of heavy-duty shears, a Taser, a hammer, a hacksaw, a portable vise. Mixed in with the tools were five or six human thumbs.

Some of the thumbs were thick and blunt and male, and some were white and slender and female, and some were too shriveled and darkened with rot to provide much of any clue about the person they had belonged to. Each thumb ended in a lump of bone and sinew. The inside of the bag had a smell, a sickly-sweet, almost floral stink of corruption.

Anshaw selected the heavy-duty shears.

“You went up the hill and signaled someone this morning. And tonight you came back with a lot of money. I looked in the envelope while you were in the shower. So you signaled for a meeting, and at the meeting you were paid for intel. Who did you meet? CIA?”

“I went to work. At the bar. You know where I work. You followed me there.”

“Five hundred dollars. Is that supposed to be tips?”

She didn’t have a reply. She couldn’t think. She was looking at the thumbs mixed in with his mess of tools.

He followed her gaze, prodded a blackened and shriveled thumb with the blade of the shears. The only identifiable feature remaining on the thumb was a twisted, silvery fishhook scar.

“Plough,” Anshaw said. “He had helicopters doing flyovers of my house. They’d fly over once or twice a day. They used different kinds of helicopters on different days to try and keep me from putting two and two together. But I knew what they were up to. I started watching them from the kitchen with my field glasses, and one day I saw Plough at the controls of a radio-station traffic copter. I didn’t even know he knew how to pilot a bird until then. He was wearing a black helmet and sunglasses, but I still recognized him.”

As Anshaw spoke, Mal remembered Corporal Plough trying to open a bottle of Red Stripe with the blade of his bayonet and the knife slipping, catching him across the thumb, Plough sucking on it and saying around his thumb, Motherfuck, someone open this for me.

“No, Anshaw. It wasn’t him. It was just someone who looked like him. If he could fly a helicopter, they would’ve had him piloting Apaches over there.”

“Plough admitted it. Not at first. At first he lied. But eventually he told me everything, that he was in the helicopter, that they’d been keeping me under surveillance ever since I came home.” Anshaw moved the tip of the shears to point at another thumb, shriveled and brown, with the texture and appearance of a dried mushroom. “This was his wife. She admitted it, too. They were putting dope in my water to make me sluggish and stupid. Sometimes I’d be driving home and I’d forget what my own house looked like. I’d spend twenty minutes cruising around my development before I realized I’d gone by my place twice.”

He paused, moved the tip of the shears to a fresher thumb, a woman’s, the nail painted red. “She followed me into a supermarket in Poughkeepsie. This was while I was on my way north, to see you. To see if you had been compromised. This woman in the supermarket, she followed me aisle to aisle, always whispering on her cell phone. Pretending not to look at me. Then, later, I went into a Chinese place and noticed her parked across the street, still on the phone. She was the toughest to get solid information out of. I almost thought I was wrong about her. She told me she was a first-grade teacher. She told me she didn’t even know my name and that she wasn’t following me. I almost believed her. She had a photo in her purse, of her sitting on the grass with a bunch of little kids. But it was tricked up. They used Photoshop to stick her in that picture. I even got her to admit it in the end.”

“Plough told you he could fly helicopters so you wouldn’t keep hurting him. The first-grade teacher told you the photo was faked to make you stop. People will tell you anything if you hurt them badly enough. You’re having some kind of break with reality, Anshaw. You don’t know what’s true anymore.”

“You would say that. You’re part of it. Part of the plan to make me crazy, make me kill myself. I thought

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