The Folded Earth - By Anuradha Roy Page 0,118

decided she will not object to the girls playing film music in the factory. She will not admit it, but she enjoys it.

At Mall Road, the eagles pause on the summit of a deodar tree. They look down at the people sunning themselves on the parapet, storing up heat for the long, dark, cold evening ahead. They observe the man roasting peanuts, the shopkeepers chasing monkeys away with sticks, the girls queuing up at the water tap, the jeep-taxis coming and going. There is a baby monkey alone by the roadside: tiny, pink-eared, a morsel of flesh, blood, life. The eagles stretch their wings, and think of food. But the monkey’s father and mother appear from somewhere, they have sensed danger. They collect the baby in their arms and leap away over rooftops to a place less exposed.

Frustrated, one of the eagles perches low on the arm of the new statue Mr Chauhan has installed on Mall Road. The first month, it was a statue of B.R. Ambedkar, wearing a suit and round glasses. The second month, overnight, the blue suit was painted olive and given a belt, an army cap was placed on its head and the very next morning the people of Ranikhet had gasped in collective astonishment, for they had found Subhas Chandra Bose where Ambedkar had been, as if by magic. Mr Chauhan had seen possibilities that no-one before him had seen. He alone had noticed there was no need to change the statue’s face, since both men were rotund and wore similar glasses. Now, Mr Chauhan cannot stop himself from telling every passerby that he has invented the world’s first transformable statue, ready for any occasion. With a bit of effort, he thinks, it can become Nehru too, though removing the glasses may present a problem. “But where would solutions be if there were no problems?” he says.

One of the eagles pecks at the statue, leaps onto its head, stretches its wings, and takes off. The pair fly further up Mall Road, over the decrepit, rambling colonial houses. They have nested there once and may do so again. They fly over Aspen Lodge and the forest road to the Westview Hotel. They fly over a leopard padding down the dusky ravine near Rosemount Hotel. Over Gappu Dhobi’s house where lines of clothes are drying and fading in the strong winter sun. They start their descent when they reach an overgrown lawn, and I open my eyes, sensing a shadow sliding over my face. I can see their feathers and talons, they are so low.

I have never seen eagles before, these beautiful and dangerous birds, in my part of the hillside, and I stare at the pair wheeling and circling over me. Where have they come from? Where are they headed? Could they really have come here all the way from Mongolia or Kazakhstan? Diwan Sahib would have told me everything about them, we would have looked at them, together, spellbound. Their wings are immobile in flight, the barest whisper of movement, and they pare the sky in unbroken circular lines, as if it’s an orange. I watch them for as long as I can until they become high, black specks swallowed up by the blinding dazzle of the sun. I close my eyes and savour my last few days at the Light House before it is returned to the Army. All of us have to look for new places to live in. Ama thinks she will take Puran and return to her ancestral village in the high mountains. She has nobody to live for in Ranikhet any longer, she says.

Charu came once, changed. Married now, bride-like, and not at all dishevelled as before. Her arms were covered in red bangles from wrist to elbow, she was still wearing her mother’s gold and pearl nose ring, and the parting in her hair was red with sindoor. She looked remote and grown-up, although just eighteen. Ama, practical as ever, scolded her once to show her what was what. After that she revelled in telling the hillside lavishly spiced stories of Charu’s brave journey to Delhi. She fed Charu kheer every day, and would not let her do any work – now she was not the daughter any more, she was a guest who belonged elsewhere.

A month after Charu’s visit home ended, I had a letter which I ran to show Ama, saying, “See! Your daughter can write!”

Maya Mam,

Are you well? Are Ama and Puran Chacha well? I

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