Flowers for Algernon - Daniel Keyes Page 0,82

Strange to see the little puff of white clamped down on the worktable and Burt forcing the food down his throat with an eye-dropper.

If it keeps up this way, they'll have to start feeding him by injection. Watching Algernon squirm under those tiny bands this afternoon, I felt them around my own arms and legs. I started to gag and choke, and I had to get out of the lab for fresh air. I've got to stop identifying with him.

I went down to Murray's Bar and had a few drinks. And then I called Fay and we made the rounds. Fay is annoyed that I've stopped taking her out dancing, and she got angry and walked out on me last night. She has no idea of my work and no interest in it, and when I do try to talk to her about it she makes no attempt to hide her boredom. She just can't be bothered, and I can't blame her. She's interested in only three things that I can see: dancing, painting, and sex. And the only thing we really have in common is sex. It's foolish of me to try to interest her in my work. So she goes dancing without me. She told me that the other night she dreamed she had come into the apartment and set fire to all my books and notes, and that we went off dancing around the flames. I've got to watch out. She's becoming possessive. I just realized tonight that my own place is starting to resemble her apartment—a mess. I've got to cut down on the drinking.

July 16—Alice met Fay last night. I'd been concerned about what would happen if they came face to face. Alice came to see me after she found out about Algernon from Burt. She knows what it may mean, and she still feels responsible for having encouraged me in the first place.

We had coffee and we talked late. I knew that Fay had gone out dancing at the Stardust Ballroom, so I didn't expect her home so early. But at about one forty-five in the morning we were startled by Fay's sudden appearance on the fire-escape. She tapped, pushed open the half-open window and came waltzing into the room with a bottle in her hand.

"Crashing the party," she said. "Brought my own refreshments."

I had told her about Alice working on the project at the university, and I had mentioned Fay to Alice earlier—so they weren't surprised to meet. But after a few seconds of sizing each other up, they started talking about art and me, and for all they cared I could have been anywhere else in the world. They liked each other.

"I'll get the coffee," I said, and wandered out to the kitchen to leave them alone.

When I came back, Fay had taken off her shoes and was sitting on the floor, sipping gin out of the bottle. She was explaining to Alice that as far as she was concerned there was nothing more valuable to the human body than sunbathing, and that nudist colonies were the answer to the world's moral problems.

Alice was laughing hysterically at Fay's suggestion that we all join a nudist colony, and she leaned over and accepted a drink that Fay poured for her.

We sat and talked until dawn, and I insisted on seeing Alice home. When she protested that it wasn't necessary, Fay insisted that she would be a fool to go out alone in the city at this hour. So I went down and hailed a cab.

"There's something about her," said Alice on the way home. "I don't know what it is. Her frankness, her open trust, her unselfishness..."

I agreed.

"And she loves you," said Alice.

"No. She loves everyone," I insisted. "I'm just the neighbor across the hall."

"Aren't you in love with her?"

I shook my head. "You're the only woman I've ever loved."

"Let's not talk about that."

"Then you've cut me off from an important source of conversation."

"Only one thing I'm worried about, Charlie. The drinking. I've heard about some of those hangovers."

"Tell Burt to confine his observations and reports to the experimental data. I won't have him poisoning you against me. I can handle the drinks."

"I've heard that one before."

"But never from me."

"That's the only thing I have against her," she said. "She's got you drinking and she's interfering with your work."

"I can handle that too."

"This work is important now, Charlie. Not only to the world and millions of unknown people, but to you. Charlie, you've

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