can make a human immortal (though not bestow the grace and power of being Fae). It is currently unknown what the king’s version does but reasonable to expect that, as the imperfect song used to fashion his court, it is also flawed in some way.
THE FOUR STONES: Chiseled from the blue-black walls of the Unseelie prison, these four stones have the ability to contain the Sinsar Dubh in place if positioned properly, rendering its power inert, allowing it to be transported safely. The stones contain the Book’s magic and immobilize it completely, preventing it from being able to possess the person transporting it. They are capable of immobilizing it in any form, including MacKayla Lane as she has the Book inside her. They are etched with ancient runes and react with many other Fae objects of power. When united, they sing a lesser Song of Making. Not nearly as powerful as the crimson runes, they can contain only the Sinsar Dubh.
GLAMOUR: Illusion cast by the Fae to camouflage their true appearance. The more powerful the Fae, the more difficult it is to penetrate its disguise. Average humans see only what the Fae want them to see and are subtly repelled from bumping into or brushing against it by a small perimeter of spatial distortion that is part of the Fae glamour.
THE HALLOWS: Eight ancient artifacts created by the Fae possessing enormous power. There are four Seelie and four Unseelie hallows.
The Four Seelie Hallows
THE SPEAR OF LUISNE: Also known as the Spear of Luin, Spear of Longinus, Spear of Destiny, the Flaming Spear, it is one of two hallows capable of killing Fae. Currently in possession of MacKayla Lane.
THE SWORD OF LUGH: Also known as the Sword of Light, the second hallow capable of killing Fae. Currently in possession of Danielle O’Malley.
THE CAULDRON: Also called the Cauldron of Forgetting. The Fae are subject to a type of madness that sets in at advanced years. They drink from the cauldron to erase all memory and begin fresh. None but the Scribe, Cruce, and the Unseelie king, who have never drunk from the cauldron, know the true history of their race. Currently located at the Seelie Court. Cruce stole a cup from the Cauldron of Forgetting and tricked the concubine/Aoibheal into drinking it, thereby erasing all memory of the king and her life before the moment the cup touched her lips.
THE STONE: Little is known of this Seelie hallow.
The Four Unseelie Hallows
THE AMULET: Created by the Unseelie king for his concubine so that she could manipulate reality as well as a Fae. Fashioned of gold, silver, sapphires, and onyx, the gilt “cage” of the amulet houses an enormous clear stone of unknown composition. It can be used by a person of epic will to impact and reshape perception. The list of past owners is legendary, including Merlin, Boudicca, Joan of Arc, Charlemagne, and Napoleon. This amulet is capable of weaving illusion that will deceive even the Unseelie king. In Shadowfever, MacKayla Lane used it to defeat the Sinsar Dubh. Currently stored in Barrons’s lair beneath the garage, locked away for safekeeping.
THE SILVERS: An elaborate network of mirrors created by the Unseelie king, once used as the primary method of Fae travel between realms. The central hub for the Silvers is the Hall of All Days, an infinite, gilded corridor where time is not linear, filled with mirrors of assorted shapes and sizes that are portals to other worlds, places, and times. Before Cruce cursed the Silvers, whenever a traveler stepped through a mirror at a perimeter location, he was instantly translated to the hall, where he could then choose a new destination from the images the mirrors displayed. After Cruce cursed the Silvers, the mirrors in the hall were compromised and no longer accurately display their true destinations. It’s highly dangerous to travel within the Silvers.
THE BOOK (See also Sinsar Dubh; she-suh DOO): A fragment of the Unseelie king himself, a sentient, psychopathic Book of enormous, dark magic created when the king tried to expel the corrupt arts with which he’d tampered, trying to re-create the Song of Making. The Book was originally a nonsentient, spelled object, but in the way of Fae it evolved and over time became sentient, living, conscious. When it did, like all Unseelie created via an imperfect song, it was obsessed by a desire to complete itself, to obtain a corporeal body for its consciousness, to become like others of its kind. It usually presents itself in one