and quest for power, which was matriarchal, the queen locked Cruce away in her bower and summoned the king. With the help of the illusion amulets Cruce and the king had created, Cruce wove the glamour that he was the Seelie prince, V’lane. Furious to learn the king had disobeyed her, and jealous of his love for the concubine, the queen summoned Cruce (who was actually her own prince, V’lane) and killed him with the sword of light to show the king what she would do to all his abominations. Enraged, the king stormed the Seelie Court with his dark Fae and killed the queen. When he went home to his icy realm, grieving the loss of his trusted and much-loved prince Cruce, he found his concubine was also dead. She’d left him a note saying she’d killed herself to escape what he’d become. Unknown to the king, while he’d fought with the Seelie queen, Cruce slipped back to the White Mansion and gave the concubine another “potion,” which was actually a cup stolen from the Cauldron of Forgetting. After erasing her memory, he used the power of the three lesser illusion amulets to convince the king she was dead. He took her away and assumed the role of V’lane, in love with a mortal at the Seelie Court, biding time to usurp the rule of their race, both light and dark courts. As V’lane, he approached MacKayla Lane and was using her to locate the Sinsar Dubh. Once he had it, he planned to acquire all the Unseelie king’s forbidden dark knowledge, finally kill the concubine who had become the current queen, and, as the only vessel holding both the patriarchal and matriarchal power of their race, become the next, most powerful, Unseelie king ever to rule. At the end of Shadowfever, when the Sinsar Dubh is reinterred beneath the abbey, he reveals himself as Cruce and absorbs all the forbidden magic from the king’s Dark Book. But before Cruce can kill the current queen and become the ruler of both light and dark courts, the Unseelie king imprisons him in a cage of ice beneath Arlington Abbey. In Burned, we learn Dani/Jada somehow removed the cuff of Cruce from his arm while he was imprisoned in the cage. Her disruption of the magic holding him weakened the spell. With magic she learned Silverside, she was able to close the doors on the cavernous chamber, and now only those doors hold him.
UNSEELIE PRINCES: Highly sexual, insatiable, dark counterpart to the golden Seelie princes. Long blue-black hair, leanly muscled dark-skinned bodies tattooed with brilliant complicated patterns that rush beneath their skin like kaleidoscopic storm clouds. They wear black torques like liquid darkness around their necks. They have the starved cruelty and arrogance of a human sociopath. There are four royal princes: Kiall, Rath, Cruce, and an unnamed prince slain by Danielle O’Malley in Dreamfever. In the way of Fae things, when one royal is killed, another becomes, and Christian MacKeltar is swiftly becoming the next Unseelie prince.
UNSEELIE PRINCESSES: The princesses have not been heard of and were presumed dead until recent events brought to light that one or more were hidden away by the Unseelie king either in punishment or to contain a power he didn’t want loose in the world. At least one of them was locked in the king’s library inside the White Mansion until either Dani or Christian MacKeltar freed her. Highly sexual, a powerful sifter, this princess is stunningly beautiful, with long black hair, pale skin, and blue eyes. In Burned we learn the Sweeper tinkered with the Unseelie princess(es) and changed her (them) somehow. Unlike the Unseelie princes, who are prone to mindless savagery, the princess is quite rational about her desires, and logically focused on short-term sacrifice for long-term gain. It is unknown what her end goal is but, as with all Fae, it involves power.
ROYAL HUNTERS: A caste of Unseelie sifters, first introduced in The Immortal Highlander, this caste hunts for both the king and the queen, relentlessly tracking their prey. Tall, leathery skinned, with wings, they are feared by all Fae.
CRIMSON HAG: One of the Unseelie king’s earliest creations, Dani O’Malley inadvertently freed this monster from a stoppered bottle at the king’s fantastical library inside the White Mansion. Psychopathically driven to complete her unfinished, tattered gown of guts, she captures and kills anything in her path, using insectile, lancelike legs to slay her prey and disembowel them. She then perches nearby and