“Don’t call me that,” I said. “You don’t know what it means.”
“Sure I do,” he said. “You’ve got black all over your face, like a nigger!”
For the rest of the afternoon—for the rest of the summer—I was Nigger. I’d answered to it a thousand times before with indifference. If anything, I’d been amused and thought Shawn was clever. Now it made me want to gag him. Or sit him down with a history book, as long as it wasn’t the one Dad still kept in the living room, under the framed copy of the Constitution.
I couldn’t articulate how the name made me feel. Shawn had meant it to humiliate me, to lock me in time, into an old idea of myself. But far from fixing me in place, that word transported me. Every time he said it—“Hey Nigger, raise the boom” or “Fetch me a level, Nigger”—I returned to the university, to that auditorium, where I had watched human history unfold and wondered at my place in it. The stories of Emmett Till, Rosa Parks and Martin Luther King were called to my mind every time Shawn shouted, “Nigger, move to the next row.” I saw their faces superimposed on every purlin Shawn welded into place that summer, so that by the end of it, I had finally begun to grasp something that should have been immediately apparent: that someone had opposed the great march toward equality; someone had been the person from whom freedom had to be wrested.
I did not think of my brother as that person; I doubt I will ever think of him that way. But something had shifted nonetheless. I had started on a path of awareness, had perceived something elemental about my brother, my father, myself. I had discerned the ways in which we had been sculpted by a tradition given to us by others, a tradition of which we were either willfully or accidentally ignorant. I had begun to understand that we had lent our voices to a discourse whose sole purpose was to dehumanize and brutalize others—because nurturing that discourse was easier, because retaining power always feels like the way forward.
I could not have articulated this, not as I sweated through those searing afternoons in the forklift. I did not have the language I have now. But I understood this one fact: that a thousand times I had been called Nigger, and laughed, and now I could not laugh. The word and the way Shawn said it hadn’t changed; only my ears were different. They no longer heard the jingle of a joke in it. What they heard was a signal, a call through time, which was answered with a mounting conviction: that never again would I allow myself to be made a foot soldier in a conflict I did not understand.
Dad paid me the day before I returned to BYU. He didn’t have the money to give what he’d promised, but it was enough to cover the half tuition I owed. I spent my last day in Idaho with Charles. It was a Sunday, but I didn’t go to church. I’d had an earache for two days, and during the night it had changed from a dull twinge to a constant sharp stab. I had a fever. My vision was distorted, sensitive to light. That’s when Charles called. Did I want to come to his house? I said I couldn’t see well enough to drive. He picked me up fifteen minutes later.
I cupped my ear and slouched in the passenger seat, then took off my jacket and put it over my head to block the light. Charles asked what medicine I’d taken.
“Lobelia,” I said. “And skullcap.”
“I don’t think they’re working,” he said.
“They will. They take a few days.”
He raised his eyebrows but said nothing.
Charles’s house was neat and spacious, with large, bright windows and shiny floors. It reminded me of Grandma-over-in-town’s house. I sat on a stool, my head pressed against the cold counter. I heard the creak of a cabinet opening and the pop of a plastic lid. When I opened my eyes, two red pills were on the counter in front of me.
“This is what people take for pain,” Charles said.
“Not us.”
“Who is this us?” Charles said. “You’re leaving tomorrow. You’re not one of them anymore.”
I closed my eyes, hoping he would drop it.
“What do you think will happen if you take the pills?” he said.
I didn’t answer. I didn’t know what would happen. Mother