couldn’t afford it. I looked up the requirements for a scholarship online. A full-tuition waiver would require a near-perfect GPA.
I was only a month into the semester, but even so I knew a scholarship was comically out of reach. American history was getting easier, but only in that I was no longer failing the quizzes outright. I was doing well in music theory, but I struggled in English. My teacher said I had a knack for writing but that my language was oddly formal and stilted. I didn’t tell her that I’d learned to read and write by reading only the Bible, the Book of Mormon, and speeches by Joseph Smith and Brigham Young.
The real trouble, however, was Western Civ. To me, the lectures were gibberish, probably because for most of January, I thought Europe was a country, not a continent, so very little of what the professor said made sense. And after the Holocaust incident, I wasn’t about to ask for clarification.
Even so, it was my favorite class, because of Vanessa. We sat together for every lecture. I liked her because she seemed like the same kind of Mormon I was: she wore high-necked, loose-fitting clothing, and she’d told me that she never drank Coke or did homework on Sunday. She was the only person I’d met at the university who didn’t seem like a gentile.
In February, the professor announced that instead of a single midterm he would be giving monthly exams, the first of which would be the following week. I didn’t know how to prepare. There wasn’t a textbook for the class, just the picture book of paintings and a few CDs of classical compositions. I listened to the music while flipping through the paintings. I made a vague effort to remember who had painted or composed what, but I didn’t memorize spelling. The ACT was the only exam I’d ever taken, and it had been multiple choice, so I assumed all exams were multiple choice.
The morning of the exam, the professor instructed everyone to take out their blue books. I barely had time to wonder what a blue book was before everyone produced one from their bags. The motion was fluid, synchronized, as if they had practiced it. I was the only dancer on the stage who seemed to have missed rehearsal. I asked Vanessa if she had a spare, and she did. I opened it, expecting a multiple-choice exam, but it was blank.
The windows were shuttered; the projector flickered on, displaying a painting. We had sixty seconds to write the work’s title and the artist’s full name. My mind produced only a dull buzz. This continued through several questions: I sat completely still, giving no answers at all.
A Caravaggio flickered onto the screen—Judith Beheading Holofernes. I stared at the image, that of a young girl calmly drawing a sword toward her body, pulling the blade through a man’s neck as she might have pulled a string through cheese. I’d beheaded chickens with Dad, clutching their scabby legs while he raised the ax and brought it down with a loud thwack, then tightening my grip, holding on with all I had, when the chicken convulsed with death, scattering feathers and spattering my jeans with blood. Remembering the chickens, I wondered at the plausibility of Caravaggio’s scene: no one had that look on their face—that tranquil, disinterested expression—when taking off something’s head.
I knew the painting was by Caravaggio but I remembered only the surname and even that I couldn’t spell. I was certain the title was Judith Beheading Someone but could not have produced Holofernes even if it had been my neck behind the blade.
Thirty seconds left. Perhaps I could score a few points if I could just get something—anything—on the page, so I sounded out the name phonetically: “Carevajio.” That didn’t look right. One of the letters was doubled up, I remembered, so I scratched that out and wrote “Carrevagio.” Wrong again. I auditioned different spellings, each worse than the last. Twenty seconds.
Next to me, Vanessa was scribbling steadily. Of course she was. She belonged here. Her handwriting was neat, and I could read what she’d written: Michelangelo Merisi da Caravaggio. And next to it, in equally pristine print, Judith Beheading Holofernes. Ten seconds. I copied the text, not including Caravaggio’s full name because, in a selective display of integrity, I decided that would be cheating. The projector flashed to the next slide.
I glanced at Vanessa’s paper a few more times during the exam but it