I ATTENDED A SEMINAR on Wednesday afternoons, where I noticed two women, Katrina and Sophie, who nearly always sat together. I never spoke to them until one afternoon a few weeks before Christmas, when they asked if I’d like to get a coffee. I’d never “gotten a coffee” before—I’d never even tasted coffee, because it is forbidden by the church—but I followed them across the street and into a café. The cashier was impatient so I chose at random. She passed me a doll-sized cup with a tablespoon of mud-colored liquid in it, and I looked longingly at the foamy mugs Katrina and Sophie carried to our table. They debated concepts from the lecture; I debated whether to drink my coffee.
They used complex phrases with ease. Some of them, like “the second wave,” I’d heard before even if I didn’t know what they meant; others, like “the hegemonic masculinity,” I couldn’t get my tongue around let alone my mind. I’d taken several sips of the grainy, acrid fluid before I understood that they were talking about feminism. I stared at them as if they were behind glass. I’d never heard anyone use the word “feminism” as anything but a reprimand. At BYU, “You sound like a feminist” signaled the end of the argument. It also signaled that I had lost.
I left the café and went to the library. After five minutes online and a few trips to the stacks, I was sitting in my usual place with a large pile of books written by what I now understood to be second-wave writers—Betty Friedan, Germaine Greer, Simone de Beauvoir. I read only a few pages of each book before slamming it shut. I’d never seen the word “vagina” printed out, never said it aloud.
I returned to the Internet and then to the shelves, where I exchanged the books of the second wave for those that preceded the first—Mary Wollstonecraft and John Stuart Mill. I read through the afternoon and into the evening, developing for the first time a vocabulary for the uneasiness I’d felt since childhood.
From the moment I had first understood that my brother Richard was a boy and I was a girl, I had wanted to exchange his future for mine. My future was motherhood; his, fatherhood. They sounded similar but they were not. To be one was to be a decider. To preside. To call the family to order. To be the other was to be among those called.
I knew my yearning was unnatural. This knowledge, like so much of my self-knowledge, had come to me in the voice of people I knew, people I loved. All through the years that voice had been with me, whispering, wondering, worrying. That I was not right. That my dreams were perversions. That voice had many timbres, many tones. Sometimes it was my father’s voice; more often it was my own.
I carried the books to my room and read through the night. I loved the fiery pages of Mary Wollstonecraft, but there was a single line written by John Stuart Mill that, when I read it, moved the world: “It is a subject on which nothing final can be known.” The subject Mill had in mind was the nature of women. Mill claimed that women have been coaxed, cajoled, shoved and squashed into a series of feminine contortions for so many centuries, that it is now quite impossible to define their natural abilities or aspirations.
Blood rushed to my brain; I felt an animating surge of adrenaline, of possibility, of a frontier being pushed outward. Of the nature of women, nothing final can be known. Never had I found such comfort in a void, in the black absence of knowledge. It seemed to say: whatever you are, you are woman.
* * *
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IN DECEMBER, AFTER I had submitted my last essay, I took a train to London and boarded a plane. Mother, Audrey and Emily picked me up at the airport in Salt Lake City, and together we skidded onto the interstate. It was nearly midnight when the mountain came into view. I could only just make out her grand form against the inky sky.
When I entered the kitchen I noticed a gaping hole in the wall, which led to a new extension Dad was building. Mother walked with me through the hole and switched on the light.
“Amazing, isn’t it?” she said. “Amazing” was the word.
It was a single massive room the size of the chapel